Chapter 1578

Yin engraving and Yang engraving are two basic methods of traditional engraving, and they are a unique way of engraving.

Relief engraving is to carve out the three-dimensional lines under the plane objects.

Intaglio is to carve a pattern or character into a concave shape.

At this time, the dragon shaped patterns on these stone tablets in front of Chen Hui, to be exact, are actually the dragon patterns, which are all carved in the shade, that is, the patterns are sunken into the stone tablets.

Chen Hui looked at the stone tablets on the left in turn, and found that each dragon on the stone tablet was lifelike, but different.

This kind of difference, gives Chen Hui the feeling, is the difference, manifests incisively and vividly.

For example, some dragons are slightly fatter, that is, slightly thicker, while others are thinner, that is, slightly thinner.

Some of the taps are slightly larger, some of the tails are longer, and some of the scales are larger.

After seeing this, Chen Hui had a certain idea, but he was not sure. He turned to the stone tablets in the right area.

There are only six stone tablets in the right area. The size of the stone tablets is the same as that in the left area. The difference is that the stone tablets in the right area are also engraved with the dragon pattern, but they are smaller than the dragon pattern in the left area.

The dragon pattern on the stone tablet in the left area accounts for about two-thirds of the stone tablet area, while the dragon pattern on the stone tablet in the right area accounts for about half of the stone tablet area.

In addition, the Dragon depicted on the six stone tablets in the right area is also different from the Dragon depicted in the left area.

This difference is also reflected in the difference, rather than the dragon shape pattern, or the posture of the dragon.

Although the number of stone tablets in the left area is different from that in the right area, they are all carved in the shape of dragons. The posture of each dragon is different. For example, there are dragons with the posture of hanging on a plate, dragons with the posture of raising their heads to the sky, and dragons with the dragon head facing down and making a dive posture.

But the difference in posture is not really different.

Because in the world where Chen Hui came, there are many historical relics with dragon shaped patterns. For example, there are dragon shaped patterns on the walls of many palaces. Some of these patterns show the posture of a dragon on a plate, while others show the posture of two dragons playing with pearls.

Although the posture is different, there is no difference in the appearance of the dragon. Whether it is a dragon in dish posture or a dragon in Erlong Xizhu posture, it is the same appearance.

The dragon on the stone tablet here has different posture, but it also has specific differences.

Some dragons are a little fatter, some are a little thinner, some have bigger heads, some have bigger scales, some have longer tails, and so on. All these are differences.

This kind of difference gives Chen Hui the feeling that people look different.

For example, all men can't look the same, all women can't look the same, so men and women naturally look more different.

Even twins, as like as two peas, are not exactly alike!

Based on all the information we know, Chen Hui judged that these stone tablets were the tombstones after the fall of the dragon people!

The first point is that these stone tablets are only a little larger in size, but actually they are similar to the world where Chen Hui came from. After death, the stone tablets standing in front of the tombs are similar in shape. If you enlarge the stone tablets standing in front of the tombs, you can see the stone tablets in front of you.

The second reason is that these dragons are all carved in the shade. Although the characters and patterns on the stone tablet are generally carved in the shade, this is the Dragon Palace in the sea, which is the place where the dragon people will be inhaled after they die. The dragon shaped pattern carved in the shade can better represent that this is the Dragon cemetery.

The third reason is that the differences between the dragons Chen Hui saw are different. Chen Hui judged that the dragon shaped patterns on these stone tablets should follow a realistic route, that is to say, the dragons engraved on each stone tablet are what they looked like when they were alive.

For example, the dragon shape pattern with a slightly thicker body is likely to be that when the dragon is alive, the body of the dragon is thicker. If it changes the appearance of an adult, it may be a little fatter, or even a fat man.

It's the same with the one with a slightly larger dragon head. When the dragon body is built, the dragon head is slightly larger. When the dragon body changes into an adult's appearance, the head should also be slightly larger.

As for the stone tablet on the left and the right, the size of the Dragon engraved on it is different. The dragon on the left stone tablet accounts for two-thirds of the area of the stone tablet, and the dragon on the right stone tablet accounts for one-half of the area of the stone tablet, which is probably the gender difference of the Dragon nationality.

The dragon on the stone tablet in the left area may be a dragon male, while the dragon on the stone tablet in the right area may be a dragon female.

Chen Hui has this idea. First, the male is left and the female is right. Second, the Dragon King of the East China Sea and AO Quan are three brothers and sisters. Although Chen Hui only saw the change of the noumenon of Ao, he did not see the change of the noumenon of the Dragon King of the East China Sea and his two sons, judging from the shape of the people they changed, Ao is obviously better than the Dragon King of the East China Sea, And AO Quan and AO Bing are Petite in size.

In other words, when Donghai dragon people change their appearance as adults, the differences between men and women are the same. Men are tall, while women are petite.

Of course, this is from the perspective of high probability, because in general, there are such differences between human men and women, but there are still some special cases besides high probability.

That is to say, there will still be some women who are taller than ordinary men, which is very rare in the comparison of the male and female body sizes of the whole human race.

This is also in line with the concept of yin and yang theory.

There is Yang in Yin and Yin in Yang.

There is no absolute existence of all things. If there is a majority, there will be a few!

Taiji diagram, also known as yin yang fish diagram by the vast majority of people, is such a shape. Half of the patterns are black spots on a white background, which belong to the sun. Black spots represent Yin, which means that there is Yin in Yang!

The other half of the pattern is white dots on a black background, belonging to the shady side, but the white dots represent Yang, which means that there is Yang in Yin!

The line between the two patterns is not a straight line, but a curve. It also means that yin and yang are not directly divided into two, but co-exist. The so-called solitary Yin is not long, and solitary Yang is not born!

After looking at the stone tablet in the right area, Chen Hui walked to the palace in the middle and walked up the steps. Chen Hui stood outside the Palace door and pushed it open.

The inside of the palace is very open. There is only a stone tablet in the middle, which is bigger than the one outside.

Chen Hui stood in front of the monument and looked up at it!

The stone tablet is also carved with a dragon, which accounts for two-thirds of the area of the stone tablet. Different from the stone tablet outside, the dragon on the stone tablet has a color, which is the same color as the original green dragon changed by AO Mo, that is, cyan!

Because the dragon has color, it looks more lifelike.

The dragons on the stone tablets outside have no color. They are just carved in the shade. I don't know if the stone tablets lost their color because they were exposed outside the palace for a long time.

The palace is empty, and there is nothing else except this stone tablet. However, behind the stone tablet, that is, behind the palace, there is another gate. Chen Hui walks to the gate behind the palace.

After going out of the palace gate, there is a descending step. Walking down the steps, not far ahead is the courtyard wall of the palace!

Combined with the empty space coming in, that is, the empty space with stone tablets in front of the palace, we can see that the palace is actually in the middle and back of the courtyard, not in the middle.

On the courtyard wall not far behind the palace, there is another door, and there is a memorial archway which is much bigger than the courtyard wall.

There are no words on the archway. All of them are dragon shaped designs.

After Chen Hui passed through the archway, he entered the second courtyard, which was still a huge empty space. It was exactly the same as the first palace courtyard in front of him. It was also a huge open space, and there was also a palace standing there.

Similarly, there are standing stone tablets on the left and right sides of the palace courtyard!