Chapter 1681： Cartoon rookie

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Japan is a country of comics.

Compared to the United States, their comic culture is more popular.

Although this comic culture comes from the United States, Japan has promoted it even more.

Especially after cartoonists with all kinds of wonderful imaginations were born, the enthusiasm of Japanese people for manga has been rising.

The main force of the comics is of course young people between 12 and 24 years old, but many 30- to 40-year-olds are often watching comics.

In recent years, the major comic weekly, semi-monthly and monthly magazines headed by Kirin Weekly have at least dozens of them. They are placed in newsstands and convenience stores, and they have actually consumed the pocket money earned by young people by working.

Although the Japanese are very proud of everything they have made domestically, including food, authors, celebrities, electronic craft products, etc., they also have to admit that the most prosperous and the most driving economic growth for comics in recent years is from a foreign Comic weekly.

It is the Unicorn Weekly.

Kirin Weekly now has 21 serialized comics, plus a single book of Resident Evil, firmly occupying the championship of the Japanese Comic Weekly sales list.

The sales of 8 million copies of Kirin Weekly every week are simply unprecedented!

The total population of Japan is only 500 million, which means that out of an average of 20 people, one person is watching the Kirin Weekly!

If you remove the elderly, children and most of the women, this is basically a quarter or a third of people who are reading the Kirin Weekly! !

Kirin Weekly's sales volume is already the sum of the top three local Japanese comic weekly magazines in the second to fourth places.

Over the past few years, these manga weekly magazines and Japanese cartoonists have not failed to catch up.

The sales volume of their three major weekly magazines has changed from dozens to millions of copies, and has now become almost a million or more than two million copies, which is a great improvement.

Compared with the leap from 3 million to 8 million copies of Kirin Weekly, it is still not enough to read.

It can even be said that even the tail is invisible.

"Mr. Yin Jun is the real king of manga!" Lamented Tezuka Chizu, a legendary Japanese cartoonist.

Another very well-known cartoonist in Japan, relying on Ala Lei, pulled up the young jump of hundreds of thousands of copies of the sales of Toriyama, even more outspoken, "We just follow behind Mr. Yin Jun Anyway, if you want to compare with him, it is purely self-discipline and no self-knowledge. "

Toriyama's words were frustrating, but all Japanese cartoonists agreed.

Yin Jun presided over writing 22 stories and setting 22 comics, no matter which one is taken out, it is an absolute boutique.

Not to mention the masterpieces of Dragon Ball, Conan, and Slam Dunk inside, it is simply a monument, and there is no way to compete.

Oh, yes, there is also the Grim Reaper that has slowly begun to become popular recently, and it has attracted the attention of many people because of its unique style, very powerful settings and plot.

Many senior comic fans believe that if the settings and the plot of Bleach do not jump, it can go out of an unprecedented way and become a classic among the classics.

Yin Jun greatly appreciated this view.

It is worthy of these loyal fans of the country of comics.

As one of the three masterpieces of migrant workers, the **** of death is absolutely qualified to be compared with the above works.

In addition to the Kirin Weekly, in fact, Kirin Culture is in Japan, and there is also a Kirin Semi-Monthly launched in collaboration with the Dejian Store.

This half-monthly magazine was set up to encourage excellent cartoonists in Japan.

At the beginning, its sales volume was not high, but the treatment given was one of the best in Japan. Basically, one page can be paid 10,000 yen.

If the effect after serialization is very good, the compensation for each page can continue to increase, ranging from 20,000 to 50,000 pages.

After waiting for a single book, animation and peripheral products, the income of cartoonists has further leaps.

Even if there is no follow-up income, it is only a minimum of 10,000 yen in one page of compensation, according to the average length of about 30 pages in a series, that is, 300,000 yen.

The manuscript is submitted twice a month and you get 600,000 yen.

Even with Japan's rapid economic development and increasing salary, a monthly income of 600,000 yen can still make a family of three very comfortable.

Then Kirin Semi-Monthly has another advantage that no one can match.

It is the industry of Yin Jun, the "king of manga"!

If you can get the approval of Yin Jun in Qilin Half Monthly and get his advice, isn't it the greatest glory of your life?

Besides, the editor-in-chief has said that once the work is good, it can be serialized in Kirin Weekly.

Unicorn Weekly serialized! ?

Just using this big future cake is enough to make everyone drool!

Who does n’t know that Kirin Weekly is the sacred manga?

So far, only Yin Jun's works have been serialized on it!

If you can serialize the works with Yin Jun, this is the supreme glory! !

Just for this glory, don't need money! !

Therefore, from the beginning of the establishment of the Kirin Semi-Monthly, countless young Japanese cartoonists and famous cartoonists have contributed articles.

Don't look at the Kirin Half Monthly Magazine, which is only published in half a month, but their requirements are still very strict.

A half-monthly comic book is about 500 pages long, just like the weekly magazine.

In addition to the advertising space, a maximum of 15 comics are serialized on the Kirin semi-monthly magazine.

Once the performance of the work is not good, at most 3 months, it will be ordered to end the serialization. This is the rule of the Japanese comics industry, everyone knows.

If your grades are not good enough, you will be disdainful if you get paid for your manuscript.

Therefore, the competition of Kirin Semi-Monthly has been fierce.

The fierce competition naturally brings good comic works.

From the beginning of the publication at the end of 1980, in more than three years, the sales volume of Kirin Semi-Monthly has steadily increased to 800,000 copies.

This has already occupied the first place in the comic half-monthly magazine.

Among these comics, the most famous one is the demon boy bt that began serialization at the end of the previous year. The author is a cutting-edge cartoonist who is not a newcomer.

He is called Araki Rino, a cartoonist who won the 20th Tezuka Award in the second half of 1980.

Demon boy bt has published a single book last year, and the sales volume of each episode has exceeded 80,000 copies, bringing a lot of royalty income to Araki.

Since last year, he has basically been out of the category of novice. The tens of millions of yen he has earned has given him enough time and energy to think about his next work.

It was at this time that Toshio Suzuki, editor-in-chief of Kirin Semi-Monthly, invited him to his office.

This young cartoonist who hasn't turned 24 this year, looks handsome and gentle, not like a comic otaku.

At the same time, he was also very polite. After several contacts, Minfu Suzuki had a very good impression of him.

After a few words of greeting, Toshio Suzuki talked to Mr. Araki about the business, "How are you preparing for your new work?"

"Now I'm still thinking about it. After the Devil Boy bt is over, I should be able to think about some main outlines." Araki Rei said respectfully, "But this time I am going to plan more carefully, maybe it will start serialization next year."

"Are you interested in receiving a comic idea?" Suzuki Minfu asked.

Comic creativity?

Araki looked at Minzu Suzuki in surprise, very surprised by his proposal.

The comic creation is actually divided into two parts.

On the one hand, it is painting, on the other hand, the story is what the Japanese call a "script."

Generally speaking, the script and drawing of a comic are done by one person, and basically a famous cartoonist, it is impossible for people to intervene in their own comics.

In the past and future generations, only the original Zhefu and Wu Lunzun of Beidou Shenquan were the perfect combination, creating such a super classic.

Araki is naturally an ambitious cartoonist ~ www.novelhall.com ~ so he creates stories and paints by himself.

And he is now the leading cartoonist of Kirin Semi-Monthly. How could Minho Suzuki allow himself to draw other people's comic ideas?

Seeing his bewildered eyes, Toshio Suzuki smiled unconsciously, "Don't hurry to refuse, do you know who wrote this script?"

"Who?" Araki Riki was also curious, and asked smoothly: "Isn't it written by Mr. Yin Jun?"

It was the turn of Toshio Suzuki, "You know?"

Araki: ""

With his eyes widened, he became excited after a while, "Really? Really Mr. Yin Jun's work !?"

Seeing him like this, Toshio Suzuki was sure that this kid was a blind cat who hit a dead mouse and guessed wildly.

But seeing his excitement, Toshio Suzuki also knew that this time it must have been successful.

In fact, this is nonsense.

Even a proud cartoonist would not be indifferent when he heard that there was a script written by Yin Jun himself.

Because of the ability to write stories in the whole world, no one can match Yin Jun.

Whether it is comics, TV series, movies, variety shows, etc., as long as it involves stories and creativity, Yin Jun will do.

With such a genius born out of nowhere, his works are naturally sought after by everyone, and are in rush.

Even if you are a partner, you will feel very proud!

Not to mention in terms of comics, besides letting the scriptwriters of Kirin Culture expand the script, Yin Jun has never found an outside cartoonist to draw his creativity!

It is no exaggeration to say that in such a groundbreaking event, Toshio Suzuki was really shocked when he received a call from Yin Jun!

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