Indeed, more than a decade ago, not to mention the film and television adaptation copyright, even the Chinese language film market itself was not very developed. At that time, who could have thought that the box office would soar to more than one billion or billions? What's more, there was no concept of big IP in those years. A very excellent novel can be won by tens of thousands of yuan at most.

Up to now, with the rapid development of the film market, coupled with some capital and media hype, some well-known IP film and television adaptation copyright costs have reached hundreds of thousands or even millions, the most terrible may even be tens of millions.

And this phenomenon actually has a growing trend!

Stimulated by the film market, the price of many well-known IP has been skyrocketed, not only novels and other literary works, but also some games, toys, comics And so on, all kinds of IP copyrights that can be developed are targeted by some capital, and this phenomenon may continue for a period of time.

In such a big situation, writers like Tian Ming, who sold the film and television copyright of their works at a low price for a long time, all suffered a great loss.

However, who would have thought that the price of copyright would be so high today?

Tian Ming can only break his teeth and swallow them in his stomach.

Fortunately, he still maintains excellent creativity until now. Although the film and television adaptations of previous works no longer belong to him, he can write more other new works. Moreover, because of so many years of time and fame accumulation, his creative value is very high now.

Just like the film "deep space Trek", which he led the screenwriter, the box office of the film has achieved more than 1 billion. He himself has also got a very good income from the screenwriter. In addition, the film "deep space Trek" has also begun to publish the film and television novel of the same name, and it may be made into a game in the future for full copyright development.

For Tian Ming, it can also be regarded as another compensation in the market.

……

Although Chen Feng doesn't know much about some IP in this world, in the dream world, he has also experienced a period of so-called big IP development, movies, TV dramas, online dramas, and so on. Many film and television projects are trying to build around this so-called well-known IP. Relying on the popularity of IP and a few traffic, star actors are like sitting on the ground and sucking money.

However, many such attempts failed in the end, and then the upsurge of big IP began to recede, and the film and television industry slowly recovered.

Although some high-quality IP can still be sold at a high price, few people use the original IP + traffic to fool the market.

Because you fool the market, the market will respond cruelly to you in the end.

Now, in this world, this kind of operation of developing big IP is just beginning. It is estimated that it will continue to rise in a short time. However, Chen Feng, as a former person, is not optimistic about this phenomenon because he has some experience in this field.

On the contrary, like Tian Ming, although his old works did not catch up with the good times, he still actively created new works and directly participated in the work of film screenwriting. This mode should be better.

……

At the dinner party, with Wu Hengjiang's deliberate mediation, the atmosphere soon became warm. After all, we are all peers. We have a lot of feelings about the current Chinese movies, especially science fiction movies. Once we come and go, we talk very speculatively.

Chen Feng is also very interested in several topics discussed by you. As Wu Hengjiang said, science fiction movies are the trend of the development of the film industry in the future. It is impossible for him not to pay attention to this.

Moreover, with the box office of "escape from the home star" getting higher and higher, everyone will have some ideas.

One of the most aggrieved is Tian Ming.

"Oh, the movie" escape from the parent star "is just the oldest routine. It just changes the background to space. This kind of subject matter has long been rotten by our science fiction writers. Now no one is rare to write this kind of thing, however It's really... "

For a moment, Tian Ming could not think of a suitable word to describe this feeling.

Wu Hengjiang quickly comforted him.

"Yes, Mr. Tian, I've seen those works you wrote many years ago, which are much better than the plot of" escape from the parent star ". In fact, we really have many better things, but it's a pity that we can't develop them for various reasons However, we are no worse than anyone in writing plays or stories! "

Fang Cheng nodded beside him.

Even the two foreigners showed admiration.

One of them, Mike, said what he thought.

"I think so too I've seen a lot of your works over the years The imagination is very rich. Even those ancient novels about gods and demons are wonderful. I admire your culture very much... "

Another man next to him, James, echoed."I have also seen some works of Mr. Tian, some of which deeply shocked me!"

Mike and James have been undertaking some projects overseas all the year round. They are very gifted in language and proficient in Chinese, so they can communicate very easily.

Chen Feng is also very interested in these two foreigners, because few foreign special effects companies will take the initiative to develop here.

In his impression, some companies on the other side of Haolaiwu keep their technology secret. If they cooperate with them, it's not only expensive, but also difficult to really participate in other people's production team. There are really few people like Mike and James.

In fact, Mike and James have nothing to do. The performance of their company in Haolaiwu is so poor that they have to find a way to take over some business in other places to maintain their operation.

Moreover, although their technology is not as good as those real large special effects companies in Haolaiwu, relatively speaking, they are also much better than those in many other places. In addition, they always have the aura of Haolaiwu. Therefore, in some overseas places, they are more likely to make money.

Although their behavior has been thoroughly despised in Haolaiwu, and they may even be directly kicked out of the film industry ecological chain of Haolaiwu in the near future, they have no choice but to make money and survive.

Chen Feng was very interested in listening to Mike and James talking with Wu Hengjiang, Tian Ming and Fang Cheng about the inside story of the science fiction film making industry, which involved a lot of secrets from the other side of Haolaiwu. It was very interesting for everyone to hear.

For example, if a film like "escape from the home star" is a local production of Haolaiwu, the cost of special effects production may only be tens of millions. But if it is a non Haolaiwu production, the cost of special effects production for the same company and the same company may be hundreds of millions!

This phenomenon is only a drop in the ocean!

www.novelhall.com , the fastest update of the webnovel!