"Can we go out and see this picture?"

Liao Shuifen murmured and repeated, as if he had understood something. He asked in a low voice, "do you mean that in this portrait, there is a secret of whether we can get out of the ancient tomb?"

"If all the things you just mentioned exist, then the workers who built ran min's tomb must be Han people, right?"

The answer is not Gao Fei.

Liao Shuifen was a little puzzled and replied, "it should be like this, right? After all, ran min is the enemy of the Hu people. Besides, his tomb has great destructive power to the Hu people. Of course, Guangrao Taoist doesn't want the Hu people to participate in the tomb repair project. "

Gao Fei said, "well, if you think about it carefully, will Taoist Guangrao kill all the workers in order to keep the secret of Ran min's tomb

"Never."

This time, Liao Shuifen's answer was without hesitation: "ran min killed the Hu people and protected the Han people. It would be a violation and a breach of his faith to kill those Han workers because of the elimination of his tomb. Therefore, Taoist Guangrao would not kill those workers, but he had to find another way to ensure that the tomb was not destroyed. "

"If Tietu were here, we would have a lot more hope of going out. He is an expert in this field."

Gao Fei suddenly pulled out a sentence about Tietu and then returned to the topic: "I think so. In order to avoid being destroyed by the Hu people without killing workers, the Guangrao Taoist priest who designed and built ran min's tomb had to write about the tomb itself, such as designing a series of killing traps. The mechanism of the tomb was not built from the inside out, but from the outside."

At that time, those grave repair workers arranged organs from the outside to the inside. Without a mechanism, they could not go out any more, all the way to the central tomb.

After designing the mechanism of the tomb, Taoist Guangrao left himself and the workers a way out of the tomb safely, provided that the exit of the road would be in an environment where no one could enter, such as in the middle of the Yellow River.

Many masters, after finishing their most satisfactory works, will leave some clues to remind others to find out the secret of the production process. This is normal. It depends on whether others can find the secret.

An authoritative expert of the Egyptian pyramids also put forward such a theory, claiming that the secret of how the Egyptian people built the pyramids is hidden in the pyramids, but it has not been found.

If you follow this unspoken rule (Gao Fei once heard Tietu say that the Han people were influenced by the idea of "prosperity and decline", so when making anything, they would deliberately leave some imperfections. Just like Li Shimin in in the heyday of the Tang Dynasty, he was afraid that the Tang Empire would be envied by heaven, so he did not dare to be perfect. All the bowls he ate would deliberately make a gap.

Unfortunately, Li Longji, his grandson who created the heyday of Kaiyuan, didn't understand this truth and tried to perfect everything. As a result, he was envied by heaven. The Tang Dynasty is the only Dynasty in the history of China to fail in its heyday. Then Guangrao Taoist priest will surely leave a little "incomplete".

This fragmentary point is precisely the tomb repair workers who can safely leave the tomb of Ran min, and it is also the only way for future tomb robbers to enter. It can also be called the road of life.

If so, where is the secret that guides life?

On the black jade Kang, there is a killing order which can prove the identity of the owner of the tomb. There is no one to see from the same wall of the whole square tomb. If there is such a secret hidden, it can only be found in the picture of "painting as a prison".

"If you want to find the most likely secret of leaving the tomb, you can only find it in this painting."

"So we have to do our best to study the differences in that portrait," goofy said

Liao Shuifen, who listened to Gao Fei's speech quietly, raised her question: "since we can all think of these things, how can young master not think of it? How could we have left that painting for us to look for? "

"Do you know cat plays mouse?"

When asked about this, Gao Fei is very depressed. He has played the role of "mouse" several times, letting others play.

Liao Shuifen understood: "young master, he wants to kill us -- to see if we can find out the secret from the portrait. In this way, it will increase the fun he plays with. "

"The answer is correct."

Gao Fei sighs, and finally understands the real reason why yinjinhua gave him a seven day deadline.

At first, Gao Fei thought that if he could not find a way out in seven days, he would die of hunger and thirst.

However, when he came to the tomb by accident, he found that there was food beside the jade Kang. Although there were many unhealthy things in it, it could replenish his physical strength in time. It was no problem to support him for at least seven days.

Since the young master didn't want to die of hunger and thirst, it proved that they used other methods.

Or to put it simply, if goofy can't find a way out in seven days, the way out will be closed forever and can't be opened any more, and then they will die.

"Well, can we find the secret from the portrait?"Liao Shuifen asked carefully.

"What do you say?"

Gao Fei asked.

"I don't know."

Liao Shuifen shook his head and said, "how much time do we have?"

Gao Fei looked up at the top of the sky and murmured, "there is no calendar here. At most, it is three days, two days, or one day?"

In an environment completely isolated from the outside world, waking up, sleeping and eating, no one can be sure how many days he stayed.

Liao Shuifen is silent, no longer talking, just quietly listening to Gao Fei's heartbeat.

I don't know how long after that, goofy holds her and stands up.

"To where?"

"Look at the picture and talk."

Gao Fei seemed to smile. He was very proud of his answer. He took Liao Shuifen and slowly walked to the wall and put her down.

Liao Shuifen took his left hand around his waist and said in a low voice: "close your eyes first. I'm going to turn on the lighter."

Liao Shuifen closed his eyes, heard a click, then slowly opened his eyes, and then saw the painting for prison.

Gao Fei raised his hand and slowly moved on the painting: "the fire source is limited. We must firmly remember that in this painting, everyone, every movement, even the expression, how many lines, whether they have made special movements, such as pointing to a certain direction."

Speaking of this, Gao Fei suddenly thought that when he was in Fang's old house, he had found the second white "an GUI Jing" hidden in the wall according to a painting.

I just didn't expect that he would play that game again.

The biggest difference between the two games is that Gao Fei couldn't see the secret in the portrait last time. At most, he couldn't find the Scriptures and the statue of kumora, which delayed moye Zhengdong from becoming a normal person as soon as possible.

But this time, if he can't find it, he will stay here forever.

He hated this kind of guessing game, but he had to guess carefully.

How he hoped that Liao Shuifen was an expert in this field.

Unfortunately, it's not tie Tu, but Liao Shuifen, who needs him to take care of.

Of course, Liao Shuifen can't be replaced by iron. For example, Gao Fei thinks wildly and glances at Liao Shuifen from the corner of his eye. Liao Shuifen: the woman stood there seriously, absorbed in the portrait, and didn't notice how much she was now, which made men upset.

"Boundless heaven, good, good."

Gao Fei imitates the appearance of an honest monk and shouts in his heart. Then he concentrates on the painting.

In that picture, there are seven people, big and small, a horse.

Three of them occupied half of the space. The most prominent one was the old man with a long beard, namely King Wen.

Behind King Wen was a soldier, holding a not tall horse.

In front of him, Wu Ji, dressed as a woodcutter, was standing there, letting a soldier draw a circle under his feet.

In the distance, there are three people, the nearest one, who seems to be a small official, is walking towards this side.

A little farther away was also a woodcutter with a load of firewood on his shoulder.

The farthest one can't see what it's doing. It's just a personal shadow.

Look at the figures, especially the faces of the dead.

Slowly, Gao Fei's disposable lighter became very hot, so he had to release his hand.

Darkness, immediately engulfed the whole world.

In the dark, there is no one standing on the shoulder pole in the dark, or even standing in the dark.

In fact, when you feel that there is a secret hidden in a painting, you will feel that everything in the painting may have strong foreshadowing, even if the eyebrow ends of the figure in the picture are pointed to, which is similar to the idiom "suspecting neighbors and stealing axes". Because of preconceived reasons, it is possible to look at other people's normal actions, and there are doubts.

"The little finger of King Wen's left hand points to the flower stand."

Liao Shuifen whispered: "the posture is very strange, it seems that there is a point."

"It does mean something. I didn't think of it."

Gao Fei suddenly gets excited. He takes Liao Shuifen's hand and walks against the wall. He grabs the main flower shelf and smashes it on the wall!

With a click, the wooden flower trellis broke into several pieces.

Although Liao Shuifen couldn't see it, he was very concerned: "did you hear the empty sound when you hit the wall?"

"No, but I see the light."

Gao Fei said, squatting down, Mo Hei picked up a flower stand wood, which lit the lighter, said with a smile: "at least, this flower rack can burn, much stronger than the lighter."

"Oh, I didn't think of it!"

Liao Shuifen cheers and can't help but pad up her toes and gives Gao Fei a hard kiss on her cheek."Don't sweep, delay my firewood."

Goofy said without a word.

"Go away, can't you talk to people?"

Liao Shuifen began to get angry again. If it wasn't for the hideous people in this place, she would have been far away from Gao Fei. She was too lack of quality and didn't know the sentiment.

All the wood of the flower rack is very heavy, and I don't know what kind of wood it is. Fortunately, the air in the tomb room is still dry, and there is lacquer on the wood (a kind of natural paint, which is easy to burn), so it took seven or eight minutes to light the wood.

"Yes, it did!"

Liao Shuifen, who was watching nervously by the side, smashed his fist excitedly: "come on, look at the corner again. What's different?"

Gao Fei did not rush to see the corner, but frowned and smelled the wood burning. He said, "the smell is very strange, very fragrant, but very choking -- there is nothing strange in this wood, is there?"

"Yes."

If yinjinhua were here, Gaofei would surely hear her answer to he Xiucheng.

"What's weird?"

He Xiucheng, who is manicure with a nail clipper, sits on the sofa and trims his nails without lifting his head.

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