V14.chapter 19

Name:Paintings of Terror Author:瑆玥
"These containers are sealed," Mu Yi Ran said, looking at the things in Kexun's hand. "It means that there are things in each container. Since these containers are likely to be made in different times, can we speculate that they were buried here by people of different times?"

Ke Xun moved in his mind and blurted out: "you mean - these things are probably also --"

"it was some group of painters before us who left here," Mu Yi Ran then said in his final voice, "we opened these sealed containers. I think there are some written records in all of them, It is very likely that, as we have recorded, they are all clues about the incident of entering the painting. "

When they heard this, they were silent, and a wonderful feeling came from the bottom of their hearts.

Before that, a few groups of painters came from different times, maybe hundreds of years ago, maybe thousands of years ago. We were separated from each other by a long time, through the ups and downs of history, across the mysterious and mysterious space-time, but they miraculously produced such tacit understanding. In different times, in the same place, in different ways, Write down and save similar words, and then bury them, in order to give the greatest help to those who have the same unfortunate fate as themselves, and sincerely hope and wish that they can replace themselves, successfully crack this infinite cycle of terror and live successfully.

Looking at the relics of forerunners of different times preserved in different containers, a sense of sadness, sadness and gratitude filled the hearts of the people, and no one spoke for a long time.

Finally, all the containers were carefully opened. It was found that, whether they were porcelain bottles, wooden boxes, pottery pots, metal bottles or stone boxes, there were characters written in various media. These characters were written on paper, on silk, on bamboo slips, and on thin metal and stone slabs.

What makes us feel even more disappointed is that every record here has carefully marked the year of that time, and confirmed that these records really come from different times. Among them, the earliest date was even in the early Qin Dynasty. The time between the ages of each record varies from long to short, up to four or five hundred years, or one or two hundred years.

"If the interval between each painting event is about 100 years," said Zhu Haowen, "then the time interval of these records proves that among them, several groups of painters failed to make it to this stage, and they may have been destroyed before they came here."

On hearing this, there was a long silence.

"So the groups who left these records, did they succeed in the end?" Wei Dong murmured.

"They must have failed," Li Xiaochun murmured. "If they succeed, it won't happen again. Everyone before us has failed. Now it's our turn. I don't think we can be better than them..."

"Let's not talk about disappointment," Shaoling said. "Let's see what these records are about. Maybe we can get some new clues from the former people."

"We don't know the writing of Qin Dynasty all the time..." Pointing to the bamboo slips, Luo Zhen remembered the painting of burning rhinoceros on the sea.

"It doesn't matter," Mu Yi Ran took out his mobile phone. "After the painting came out, I downloaded the ancient Chinese character library to my mobile phone for backup."

Luo Ji looked at him with astonishment and said: "I know why my brother-in-law can become a successful person."

"I'm good at summing up experience and shortcomings, actively looking for ways to make up for and prevent them, and making all-round preparations carefully and thoughtfully," Yue Cen said with a smile. "I'm very glad to have such a partner. If we still can't succeed at this point, I won't have any regrets."

Mu Yi Ran nodded to her, opened the mobile phone, and looked up one by one against the words on the bamboo slips.

Shaoling and Hua Jiqiu are responsible for sorting out other records, and converting these records into vernacular and transcribing them into notebooks.

When all the information was sorted out and displayed in front of the public one by one, several generations of painters from ancient times to the present, spanning more than 2000 years, worked together to sort out a general picture that was not known to the public, but was enough to shock the world.

……

Gonggong and Zhuanxu fought for the emperor. They were angry and touched the mountain. They broke the Tianzhu, the Jedi Wei, and the heaven fell.

Heaven's rage, thunder, sound and flood.

Thunder shakes the whole world, only gods can not hide; the voice of heaven is silent, only demons and ghosts can't hold on; the raging flood is like a waterfall, and all human beings and animals are destroyed; if there is no way against the heaven, the way of heaven will die.

Then, the gods died, demons and ghosts fled to the ground, and people and animals gasped.

…… People Wang Dayu, flood control, fixed Kyushu, revitalize the way of heaven. Gao Yang, the great wizard, suggested that the ancient demons and ghosts should be cast into the gold of Kyushu to avoid the return of ghosts.

…… Nine tripods into, sacrifice in the wild, with the voice of the sky, a total of foundation co vibration, ghosts do not get, the world peace.……

Heard that nine tripods did not enter Surabaya, I thought it strange that night view of the stars, it was thousands of ghosts waiting to move, the disaster is coming.

I ask divination in the sky, search for strategies in the world, check ancient volumes, read group books, and deduce the changes, so as to know the beginning and the end.

However, the nine tripods have been lost, no town, I spent the rest of the day and night thinking, and finally got a method.

…… With the nine tripod diagram, you can get the power of the sorcery mantra. Because of the five Yang and four Yin of the nine cauldrons, I and four men and women each gathered together to make nine numbers, and turned the nine tripod witchcraft diagram in the bone phase.

I believe that the nine tripods cast by the Emperor Yu can suppress demons and ghosts, and the cover contains the essence of heaven, earth and human beings, which is indispensable.

The so-called heaven, I think that the nine tripods are the transformation of the nine pillars of heaven; the so-called earth, the nine tripods are cast by gold from the underground of Jiuzhou; the so-called man, that is, when he is tired of victory, must be sacrificed by human beings.

What I have done today is not the substance of the nine tripods, but the power ear of the transformation phase. Therefore, the transformation of the nine tripod sorcery in the bone phase is for heaven, while offering sacrifices to the body of the body is a human being, lacking only talents.

Yu Bai thought of a solution, taste of the earth in the bone phase, is for the ground.

The earth has four dimensions. Therefore, he took four disciples and transformed them into bone forms. He collected the three talents of heaven, earth and man, totaling 13.

…… I led his disciples to the pivot of Kunlun, where the water and grass are abundant in the daytime and wither at night. It is like the alternation of yin and Yang, and the ghost is soaring to the sky.

…… I know that although Gu Xiang has the power of seal and suppression, it has no power to subdue demons and expel ghosts. Everything in the world goes round and round, and the death comes back to life. Bone phase of the work, there will eventually be failure, the suppression of demons and ghosts, there is always a recovery sun.

Yu Tu had the heart to save the world. He was ashamed of the power of demons. He regretted his short learning and his poor skills. He had to do his best to make himself poor. He gave up his body and soul, and sealed the demons and ghosts from the sun for a hundred years.

However, after a hundred years of spiritual exhaustion, demons and ghosts will come back again, leaving a letter of advice to all the disciples in the door. According to the land marked in the map of mountain and sea Yin Sutra drawn by Yu, the evil spirits will be set up to resist the invasion of ghosts.

At this time, I and the twelve disciples are willing to testify the way through their bodies, and strive for peace in the world.

The power of thinking and bone forms has been declining for a hundred years, and the cycle of the heavenly way begins. Some Taoist friends may have realized that they are all the same as what I have been thinking about. Following the traces of Yu, I have left a book to describe this detail and put it under the stone for those with lofty ideals to read it.

The way of heaven is bright, evil can not suppress justice, but for the common people, how lucky I am!

……

…… Thirteen of us were lucky enough to get rid of the illusion in the painting. With the help of Huasheng daoren, we got the bone picture of mountain and sea classics, and on this basis, we found the Kunlun pivot.

It is not far from our conjecture that we have a chance to see the notes left by our ancestors. However, we also have new doubts. We are attached to this note. If we can help the later generations to end this century's reincarnation, we will die without regret.

The first question is that all the places marked in the painting of mountain, sea and Yin Scripture are the places where the illusions in the painting were born. However, since the ancestors had instructed their disciples to set up signs of weariness and victory and to tie up souls in these places, why did there still exist such illusions of killing people? Why didn't you see it everywhere?

We speculate that the land marked by our ancestors is the weakest point in the connection between yin and Yang. We must use the method of weariness and victory to suppress it and seal it with soul.

A hundred years later, the seal was exhausted, and Yin Qi overflowed, and the illusion appeared. It was tempting to enter by mistake, in order to destroy the seal and release the Yin.

Fortunately, although the power of seal will be exhausted, the remaining power will still exist, and the power of Yin will continue to play in the fantasy world. However, the two forces are related to each other, and their strength is limited, so they can only be concealed to show it and lure them into confusion.

The second question is that "the picture of mountain and sea Yin Sutra" was not called by our ancestors in faith. Is it possible that there is another picture of shanhaiyang Sutra?

We tried to link the illusory places in the painting as a map, but failed. Now we put it on the end of the paper for reference.

Doubt three, where the nine cauldrons are going. One said that the Zhou Dynasty was in decline, and he was afraid that the country would covet it and cause trouble. On the other hand, King Nan of Zhou Dynasty was heavily in debt, so he simply destroyed the tripod and cast money. He also said that he had been buried with the king of Zhou or Qin for fear that his mausoleum would be stolen in the future.

We have exhausted our financial resources and failed to find them. We are really ashamed. However, although we can not talk about the words of illusion in the painting, we can explore the direction of the nine tripods.

There was a nameless nobleman who had not spoken a word since he was born. When he first saw us, he was able to observe the stars. After watching, he said, "the nine tripods are still here, but not here."

When we inquired about the whereabouts of the soldiers, Gao Shi only replied, "there is a sky beyond the sky. People are like mole ants. It's the nine tripod artifact, but it's just a speck of dust. Knowable but invisible, visible but not available. There is no limit to heaven and earth. There are thousands of creations. The body can't reach it, but the mind can reach it. "

The words were eclipsed.

In the end, we failed to understand what Gao Shi said, nor could we find the trace of the nine cauldrons. As time went by, we had to come with regret. At first, I was afraid and timid for several times. Now, by coincidence, I got my ancestors' notes, respected their great righteousness, felt their great courage, and admired their great achievements. Therefore, they encouraged their bravery, and were willing to follow the deeds of their ancestors, inherit their wills, pass on their wills, and carry on their wills, and sacrifice the way with their bodies.

The way of heaven is bright, evil can not suppress justice, but for the common people, how lucky I am!

Thank you for the angels who cast the overlord vote or irrigate the nutrient solution for me, oh ~

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thank you very much for your support, I will continue to work hard!

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