The bright red stone blocks are on both sides, extending far to the end.

Roughly, at least hundreds of stone statues have been cut to pieces by sword Qi!

As I walked along the flat road in the middle of the gravel, I couldn't help muttering to myself, "that old road will never go out of the sword without any reason, and can't get along with those stone people. At that time, the stone people on both sides were alive? Also aggressive? "

By the way!

I used to stab the stone man when I was cutting the giant hand anemone. It really oozed the blood of Bertha.

When Liang Mingli used bubbles to lift the stone people, they were also covered with bloodshot, so it seems that these stone people are not only burial objects.

The gravel covered corridor stretches forward for 70-80 meters, and a big pit suddenly appears in front of it.

The pit is as smooth as a mirror, with a diameter of 20 or 30 meters. It looks like a big bowl!

I took a picture around with my flashlight, and found that the stone walls around me all sank inward with the shape of a bowl, which seemed to be squeezed in by the waves. There seems to be a shadow under the bottom of the bowl, but it's too far away. Some of it can't really be seen.

The surrounding passage is blocked by the huge bowl. There is no other way but to cross the pit.

The whole bowl looks like a hundred polished, light shining, like a prehistoric crater hit by a meteorite.

I hung the flashlight on my shoulder, pulled out my double knives, squatted down, and stepped in carefully.

Whoosh

As soon as I stepped into the bowl, the whole person quickly slid down like a slide.

I clenched my knives and stared at the front.

The speed is getting faster and faster, and the dust is rolling.

Now I'm getting closer to the shadow at the bottom of the bowl. It's a person!

Wearing an apricot yellow Taoist robe, full of silver hair, back to me to make a pinching gesture.

I saw that I was about to slide to the bottom of the bowl and hit the man. I hurried to use my hands to nail the two knives into the rock with a crack.

When the huge sliding force was stopped, my body suddenly leaned forward, all the strength was pressed on the wrist.

I quickly took out the double sabres and rolled them for several times before I reluctantly removed the impact.

I beat the dust and stood up. The Taoist priest in yellow robe is only two meters away from me.

I circled around him with great care, only to find that the Taoist was only a mummy. Although he has been dead for many years, he still stands.

Maybe it's the reason why it's so dry here. The bones don't rot, just dry and shriveled, clinging to the skeleton. His hair is silver, his beard is short, and his face is covered with many small black spots. He took two fingers of food with one hand, and reached forward with the other.

The dry hand stretched forward was holding tightly, as if grasping something important, and there was a small golden fragment at the foot.

Two steps before I went, I shook my flashlight and examined it carefully, only to find a sign on his chest.

as like as two peas, the three characters are exactly the same as those left by the white crane.

That little golden fragment, slightly in a strip shape, looks like a broken long sword.

It seems that this guy was killed by Taoist priest Baihe, and even his sword broke into smoke and dust.

This huge bowl must be the result of a fierce fight between the two.

Can fight with the white crane Taoist priest so cruelly, even forced the white crane Taoist priest to use a talisman, which is enough to show that this guy's ability is not weak.

I wanted to take the talisman, but when I reached half, I stopped.

The old man has been dead for more than 1300 years, but he is still alive. It's OK to have this rune. If I take the talisman off, he will revive like the roaring dragon Wei, I may not deal with it!

I don't know if Jiang Da Yu can bear to see this talisman

I looked at the spirit talisman with some regret, waved the flashlight around, and found something under the dust a few meters away.

I went and kicked. It came out of the dust. It turned out to be a small piece of yellow silk with the word "dragon" written on it.

When the flashlight was sweeping down, it was found that such small cloth pieces were all over the ground and scattered around the Taoist priest in yellow robe.

It should be when the two fight, the silk fell out, and then was torn to pieces by the sword.

I picked it up and saw that most of them were written with beautiful handwriting and some kind of overlord spirit.

There are dragon patterns embroidered on the silk cloth, and two pieces of silk are also printed with red seals. Although the seals are incomplete, they can still be seen.

"To be ordered and to live..."

Isn't this the imperial seal?

After the first emperor of Qin unified the six kingdoms, Li Si, the prime minister, was ordered to make the emperor's seal with the Heshi Bi and engraved with eight seal characters of "being ordered and the heaven, i.e. longevity and prosperity". Since then, it has become the ruling keepsake of kings of all dynasties.

After thousands of years of twists and turns, the jade seal was finally in the Late Five Dynasties and Ten Kingdoms. With the later Tang Emperor Li Congke carrying the treasure, it was burned, and there was no trace of it ever again.If this is really the mark left by the national seal, then this yellow silk Is that the decree?

I turned over the back and saw that the silk was embroidered with five clawed golden dragon, which was indeed used by the royal family.

Edict? How can this old way carry a holy edict?

I searched around with my flashlight, picked up all the small pieces of cloth, and slowly spliced them together by the means of my antique dealer.

This is indeed a holy edict, but it is not given to any subject, but to beg for sin in heaven.

It's more appropriate to say that it's a crime of begging.

From the perspective of settlement, it is Li Shimin, the Emperor Taizong of Tang Dynasty, who wrote the crime of begging.

At the beginning of Tang Dynasty, the jade seal didn't fall into the hands of Li family. Later, Li Jing conquered the Turks and won the battle. Empress Xiao returned to the Central Plains, which brought the jade seal into the hands of Li Shimin.

But at that time, he had carved another seal, which was rarely used in his whole life.

Why is it used here?

I looked at the contents of the imperial edict with some doubts, and I was shocked!

Li Shimin said that his "poor supervision and improper supervision" led to the "guilty minister Wei Zheng, personally beheaded the dragon and blasphemed heaven."

Now that he knew his guilt, he smashed the tombstone Temple of Wei Zheng himself, and begged the heaven not to blame him, so as to renew the protection of Li's family in Tang Dynasty.

Wei Zheng and Li Shimin have always been regarded as models of loyal officials and Emperor Ming.

As most people know, Wei Zheng is one of the twenty-four meritorious officials in Lingyan Pavilion, and was granted the title of Duke Zheng. Li Shimin regards Wei Zheng as a mirror that can reflect his own shortcomings. He has no choice but to listen to and obey his advice. The two kings and ministers have become a good story in history.

But few people know that after Wei Zheng's death, Li Shimin stormed his tomb and dragged his body out to flog it.

Even those who are familiar with this period of history say that Li Shimin blames Wei Zheng for recommending the wrong person, which makes them furious.

But according to the writing of this edict, there is another secret.

It's not a legend that Wei Zheng killed the dragon. Is it true?

It's no wonder that there is a team of dragon roaring Wei in the historic site. It was originally ordered by Li Shimin.

So Huangpao Taoist and longhouwei are together. They come here to worship the dragon?

But it is said that the king of Jinghe dragon was killed by Wei Zheng?

Jinghe River is thousands of miles away from Wusuli River. How could they come here?