Chapter 451： Kissin's Outbreak

Looking at Kissin's performance, the other person at this time had a complicated vision. He was known as the prince of the Western piano. He originally thought that he had surpassed Kissin.

Unexpectedly, Kissin played from start to finish. If it weren't for Mu Qiu's awakening, Kissin would not show his strongest strength until now.

At this moment, his score has been ranked in Levi's. Behind him, watching Kissin's performance, the young man felt that the second place seemed unlikely to belong to him.

For him, who was always arrogant and arrogant, he couldn't accept it for a while. He originally wanted to prove it, but he didn't expect his opponent to look down on him at all.

The youth at this time turned his head and looked at Mu Qiu who was sitting there. At this time, Mu Qiu lit a cigarette and sat there calmly swallowing clouds and fog, the latter still looked calm.

"It's going to be his turn soon. Kissing is so strong, isn't he not nervous at all?" Looking at the face that was calm as if watching TV in his living room, the young man's heart Can't help asking strangely.

He thought about himself again, and then realized that if he changed to himself, he was in a position like Mu Qiu, and he would definitely not be as calm as him.

Could it be that the awakening is not Mu Qiu's full strength, Mu Qiu still hides a more powerful assassin, but this is simply impossible.

If Mu Qiu knew about it, he would only say that Awakening was just a free trial of the water, just like Kissin before, Mu Qiu didn't even use all his strength.

As for the assassin, of course it is the work of the master and Mu Qiu's most perfect piano piece, which can only be played by Mu Qiu in the world.

With a few firm chords from the rabbit's ups and downs, a nearly perfect Chopin's "Waltz" finally ended on the main vocal. Kissin, with his hands raised high, has a confident smile on his face, and it is obvious that he is just a little girl. I was very satisfied with the performance.

Seeing the audience applauding enthusiastically, Kissing still felt a little excitement in his heart. Although he has been baptized by countless concerts, he is not surprised at such a scene, but when he thinks that this is the scene of the Masters Cup, he What was going to be the world's top piano honor, Kissin couldn't help making waves in his heart.

"No matter how strong you are, Mu Qiu, the one who won this time must be mine!" He said firmly in his heart, and the audience under Kissin's stage nodded and signaled that they were going to continue playing.

The applause and cheers gradually subsided, and countless focused eyes were cast to the center of the stage again. People are expecting this piano genius from Russia to bring them more surprises!

"Second. Scriabin's Etude in Temporary Minor" After the Zibong's work was reported, Kissin turned around and started playing again.

Sk? Yabin, one of Russia's greatest pianists and composers, and Rachmaninov, who once wrote "Elephant", are friends.

Of course, his piano works have always been known for mystery and unconstrained imagination. Of course, the difficulty is absolutely top-notch, and it can also be said to be a rare piano master in this world!

"Boom!" Suddenly, two dull chords in a minor chord opened the curtain of this etude!

…Two heavy chords. Suddenly sounded. Steinway's "light of art" sounded out of the world, and the heavy metal sound was like a hammer, striking in people's hearts!

The Etude in ascending minor is one of Scriabin’s most famous piano etudes. It is full of strong Russian heroism and the accent on the left hand is outstanding.

Known as the "Left Hand of Thor", the famous late Russian Luo Pianist Horowitz liked to play this piano most in his later years.

In the Moscow State Theater, he has played this etude many times, and when it comes to the end of the tune, Horowitz's movements look more like percussions! That pure, heavy accent made many music fans utterly intoxicated!

And now. The young generation of famous Russian Luo pianist Kissin. Once again, this famous etude was played in the World Piano Competition, which is being watched by music fans all over the world!

Above the stage. Under the light of the big bright chandelier, Kissin's hands fluttered up and down in front of the piano. Especially with the left hand, every touch of the key is so powerful, and the deep and sad color sounds shocking to many people's hearts!

"This is the real piano art, this is the music that can truly shock people!" Listening to Kissin's performance, Istomin said with emotion.

He is also a pianist who prefers Russian music. He admired the works of Rachmaninov and Scriabin very much.

If Istomin had always believed that the most classic performer of these works was the great Horowitz, then Istomin now values ​​this year's light Russian pianist even more!

Although I have heard Kissin's concave and video before, it is far less shocking than what I see with my own eyes now! The feeling that technology and art are perfectly combined, deeply attracted all his attention!

The other judges are exactly the same as Istomin. If Levi's performance in the morning was to conquer them with skill, then Kissin's performance at the moment. But they really moved them with the sound of the piano and the melody!

The undulations of the hands on the keys are getting stronger and stronger, and the hands are basically flat. Although this type of hand is not very correct from the perspective of traditional academics, no one thinks that Kissing's hands are at the moment. There is a problem with the type.

It's not because Kissin is a great pianist. But they know that this is exactly the habitual type of hand used by the late "Thor Left Hand" Horowitz to play this piece.

The practice of many pianists has also proved that this kind of hand is the most suitable hand for playing this piece. Because most of the etudes for rising grandson are composed of chords.

Although there are short-lived melody, but they are all used as a brilliance of passing and decoration. In particular, the octave that protrudes from time to time in the left hand part is a completely continuous chord.

To perform such a work, it is simply unrealistic to keep both hands like "holding an egg".

In fact. "Hold an egg", although it is the "rule of no two" that many piano teachers tell beginners, it is really understood from the level of skill. This state emphasizes a kind of "feeling" rather than real. "Grab" an egg.

What is this feeling? It's the feeling of "empty" in the palm of your hand. It is the hands that start from the palm joints, all the time, it is necessary to maintain the feeling of arc.

Even when playing a large octave chord, the hand shape looks completely "flat" but the feeling in my heart is still "empty". ,, ..