Chapter 733

When Zhao Fengnian thought that the mechanism should end here, the entrance of the next floor was the big pit in front of him.

There was another boom and rumble. In Zhao Fengnian's unbelievable eyes, a statue slowly rose from the pit.

Zhao Fengnian is very familiar with this statue. It is the totem of Weiyang tribe, the flying sheep!

As the statue rose slowly, there was a "click" from the bottom of the hall. The hall stopped shaking and revealed what was under the statue.

Zhao Fengnian has a close look. Under the statue of flying sheep, there is an altar.

On the top of this altar is the totem of the non sheep tribe, flying sheep.

Then it extends downward, and it is a pointed stele with four corners and a trapezoid gradually expanding downward.

At the bottom of the obelisk is a square stone platform fixed.

The four sides of the stone platform are carved with various patterns of stone carvings, which should tell a story.

On the top of the stone platform were placed a table of tribute made of stone and engraved with patterns.

On each table there is a bowl of dark color, which is made of unknown material.

This bowl seems to be the place where the tributes are placed. From the outside, you can't see what's inside.

In the center of the altar, a small hole was dug out, and a small bowl was also placed in the small hole.

The stone bowl Zhao Fengnian saw for the first time that he could be sure that it was the dragon soul fragment he was looking for, the totem of Weiyang tribe - Weiyang.

Bearing the impulse to rush forward, Zhao Fengnian, with no rain culvert, and Wu Cai, who were awakened by the news, approached the altar to watch the stone carvings.

It seems to have been well designed. In this side of Zhao Fengnian's face, it is the very beginning of the stone carving story.

The form of stone carving is very simple, which is similar to the Guangwu statue technique of Zhao Fengnian in the cave of giant eagle.

Although the painting is simple, it can make people understand the meaning at a glance.

It seems that the age of stone carving is similar to that of Guangwu, and the whole continent is still in a relatively primitive stage.

At that time, there was no country, no alliance, just a group of tribes living on this continent.

This is no different from what Guangwu carving described. Next is the experience of the person who carved the altar.

This man, the ancestor of Wu Yuhan, also lives in a tribe.

But this tribe is much bigger than the one in Guangwu.

The tribe already has a foundation for farming and raising poultry, allowing people in the tribe time to do something else.

For example, the well-built houses and organs, and the families of the ancestors without Yuhan are in a superior position in the tribe.

Because the forefathers and ancestors of weiyuhan were all responsible for the construction of this tribe and various organs.

At that time, it was a very popular skill, with a high status and very good living conditions.

Similarly, wuyuhan's ancestors were born with much more intelligence than other children of the same age.

This made the ancestors of weiyuhan master all kinds of architecture and mechanism skills very early.

Not only that, he also developed many delicate and exquisite mechanical mechanisms.

It is also because of this, the ancestors of weiyuhan lived well in the tribe, and he was very satisfied with such a life.

But one day, the peace between him and the tribe was broken.

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