Chapter 1160： "Godzilla"

Reiko Sotani followed her boyfriend hesitantly at the posters in the theater display column, "The Detective in the Bar", "In His Chart", "One Life", "K-9 Unit"... and the familiar Godzilla.

According to the different discounts, the first few movies are about 1,200 yen, but "Pacific Rim: Godzilla" costs 1,314 yen (Japanese movie theaters are priced at 1,800 yen, but they are generally discounted).

"Shunta, which one do you want to watch?" Reiko turned around and waited for her boyfriend to make a decision.

"Just look at "Godzilla". I heard that it was authorized by Dongbao to co-produce Hollywood manufacturers. It cost more than 20 billion (yen unit), and I don't know what the effect will be." Said: "For such a blockbuster, it is better to choose the 3d hall. Let's go."

"Uh-huh."

"Do you want to drink milk tea?"

"Uh-huh."

...

After getting off the plane, Liam and Ryman were warmly welcomed by Toho Films.

They have investment in this film and can enjoy global profits. In addition, the image copyright and regional distribution rights are in their hands. Naturally, they hope this film will explode more than anyone else.

This is actually a matter of mutual benefit. They provided the classic i and monster images, and also made a big push for the marketability of the project.

Furthermore, Japan's cinema market is also an oligopoly. Toho, Toei and Shochiku occupy the main screen share and prime location, and together with the two pure producers, Nippon Live and Kadokawa, it also constitutes a Japanese film. The upper ecology of the circle.

It can be said that if people outside want to come in, they have to give in.

After staying for one night, the firefly version of "Godzilla" was released. Tobora came to more than 820 theaters, with a total of more than 1,270 screens.

Japan's land is tight, and this is already the best share of openings that Toho can come up with, accounting for roughly one-fourth of the total share. Excluding those rural movie theaters, the urban area has been laid quite densely.

Anyway, walking in the center of Tokyo's business district, there must be 2 screens playing "Godzilla" at an average of 50 meters.

For the Japanese people, although they have already vomited the leather case monster movies produced by Dongbao, the main point of this PR push is to invite Hollywood filmmakers to spend a lot of money to ensure that they can meet the needs of visual effects. Come, although there are still some negative effects brought by the previous mass homogenization of themes, it has been reduced to a minimum, and it is not difficult to attract those who purely want to see the visual impact that industrialized operations can bring.

What's more, the Japanese people are quite fond of watching movies, and such a place can often contribute over 100 million movie-viewers.

Inside a 3D cinema.

The audience came in one after another, and the hall with more than 600 people sat 80%.

After a short wait, the theater was dark and no one was making any noise.

After a while, the screen lights up, and the camera is given to the Hunter mech repair warehouse in San Francisco. In the previous film, the Wanderer, which was almost scrapped by the work, was being refurbished and repaired.

A group of technical talents discussed this and that. After a bunch of high-level parameters were sorted out, after a few minutes of personnel training, the plot line was finally given to a biological group that secretly wanted to capture monsters, the boss played by Ken Watanabe. Ambitious claims that wormhole monsters are the key to their explosion of biotech research.

However, the corpses of the monsters were taken away by the Americans, and they did not share the scientific research data, which made them go to the deep sea to find the undiscovered wormhole signal, and then lure the monsters out of the cage.

When this main reason came out, it was much faster than the original version of the old, middle-aged and young three generations.

In a movie about monster wars, so many unnecessary divisions will only make the audience less than a little bit.

Deep in the ocean.

The sounding waves are secretly combing wave frequencies in the Pacific Ocean near the island of Japan.

The deep seascape accompanied by the eerily bland soundtrack is kind of like that.

"Siguoyi."

The younger audience is already screaming in their hearts.

why?

The cost is really spent, and what it brings is the quality of the lens when watching the movie.

It cost more than 2 million US dollars just for this exploration and the submarine scene. Can it be realistic?

What's more, Hollywood industrial films dare not say anything else, as long as they are shot strictly in three stages, the rhythm is really smooth, and the emphasis is on emotional ups and downs to fully mobilize the audience's attention.

In addition, the background setting is very large. Although it is a continuation of the plot line of the previous work, those who have not seen the first play will not understand it at all, because the main contradiction is obvious, that is, a local Japanese biological group spy on monsters, and then Thunder exploded.

This section is handled like this. The detection instrument found unusual biological wave frequencies. The boss asked the personnel to search the range circle on the spot to see what was going on.

The driver drove the submarine close, and the picture was so dark that there was only a little light left, and he also gave a long shot - the bottom of the sea, the driver's calm face, as the submarine slid down the trench step by step according to the wave frequency, the camera was slow Move down slowly, move down...

A pair of pupils glowing red locked on the enemy who had broken into its territory.

After a few seconds, the red light moved.

Appearing in the driver's line of sight is a giant insect-shaped monster with scythe-like forelimbs...

The submarine was cut in two pieces and sank deeper into the trench, and the scene of its wreckage falling down is also particularly impressive.

After that, the purpose of the boss of the biological group was half successful. The monster was found by them, but they were still short of capture.

What's more terrible is that this Muto, who has been characterized as a level 5 monster by the Hunter Mecha Alliance, has a male and a female, and his claws can release strong electronic pulses, destroying all surrounding electronic instruments.

As the new generation of tango wolves in Japan were hit hard by the mother Muto who appeared later, the alliance urgently adjusted the pair of invasive creatures to be level 6 monsters.

On the ground, Muto was roaring, as if he was provoking something.

The two monsters then fly to San Francisco, and the inter-city disaster begins.

The Nomad resisted for 5 rounds, was defeated, and was finally covered by the army and jumped out of the cockpit to escape;

The Eureka raider was cut across by Gong Muto, and the Australian driver died in battle;

Cherno Alpha and Storm Crimson met Muto in Ukraine. They fought at home and ambushed heavily, but they only severely damaged Gong Muto.

On the other side, San Francisco has been completely transformed into a place for mother Mutosahuan.

"mother."

"what."

"Run."

The building collapsed, causing countless casualties.

The top is a professional photographer of non-human creatures, and it is very strong in terms of Muto's destructive power.

The monster is roaring again.

The roar echoed in the sky.

No one knew what Muto's move represented until another pair of giant pupils opened in a wormhole.

At 355 feet tall, it dragged its body to Yokohama, and a random sweep of its tail destroyed the largest container lifting system in the Port of Yokohama.

Just when people fell into a deep fear that the earth would become an amusement park for invading monsters, Godzilla, who woke up at Muto's call, ignored the Japanese army, walked towards San Francisco firmly, and responded with a roar.

This is a chase scene between monsters, and the mechas who once turned the tide are only worthy of being o in front of them.

The top leaders of the alliance launched an emergency meeting, analyzed the behavior of Muto and Godzilla, and finally came to a conclusion: the two species are feuds.

Of course, human beings also think that the power of mecha is difficult to resist monsters of this level. Under pressure, the United States handed over the corpses of monsters such as leatherback turtles, and mobilized top biologists from all over the world, hoping to obtain new information from the monsters themselves. the direction of the technique or the lifting force.

And in the later scenes, it is natural that Godzilla fights two.

Compared with the head-on collision of less than 15 minutes in the original version, the protagonist of the battle for nearly 40 minutes in this version is Godzilla.

Its skin is rough and fleshy, and Muto's forelimbs, which can easily cut off the steel, hit it, leaving only a very shallow trace;

It is invincible, a building with one punch, and a parking lot with one foot. Muto only dares to use flexible aerial flight methods to avoid its attacks;

It can use nuclear energy to emit rays. When used, the front dorsal fin will emit light, and the energy from the tail, to the back, and finally the dorsal fin of the back of the neck emits a blue brilliance Finally, it spits out, with great power. The mighty mother Muto was directly turned into ashes under this move.

As a result of this battle, Godzilla took only minor injuries to deal with the level 6 monsters that the Mecha Alliance couldn't handle.

It stood among the ruins of the city, calmly glanced at the old model Nomad, and sank into the depths of the Pacific Ocean again...

...

The movie is actually not long, about 130 minutes for the feature film.

From conspiracy monsters to Muto's present life to Godzilla, who is indistinguishable from right and wrong, supplemented by the human side's response and natural disaster-like destruction, the audience feels that the content is quite large and extremely full.

Who doesn't want to watch monsters beat each other?

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Who doesn't want to experience the cutting-edge visual effects technology?

Who doesn't want to watch this level of blockbuster plot without being long-winded?

Cool and it's over.

The battle scenes are getting fiercer than each other, and the pictures are more shocking each time. What kind of bicycle is needed?

People walked out of the theater content, feeling that they didn't spend money in vain, and that was enough.

Soon, in addition to the huge pre-screening publicity, the discussion about the film became more and more intense, and there were many Japanese netizens.

"Siguoyi, Godzilla is too fierce."

"The director is amazing. The San Francisco battle is very comfortable to watch, especially the scene where Godzilla stepped on Gong Muto's body to vent and scream. It's too domineering."

"Looking forward to the next one, Godzilla obviously still has a role to play."

"The theme is clear and the visual effects are outstanding. Also, humans are finally not the protagonists in monster films."

"The director of the spinning top is still so good at rendering the situation, and it is very enjoyable to watch."

"A fully qualified commercial film."

"..."