Chapter 734： oscar pass

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A pile of thick documents is the passport that Oscar's public relations needs.

In the cigar room, what Francis Coppola brought out really shocked Lyman at first glance.

Because what is recorded on the documents is the name, age and acquaintance of the judges who can get votes.

Although the introduction is not in-depth, it is a few words that outline a big network of public relations.

What's the hardest thing about PR?

It's about putting demand in the hands of people who can win it.

The former requires you to have a good understanding of the composition of the members, at least be able to call out names, know who is who, and who is responsible for which piece, while the latter is a network of connections, which are possible allies, and who may be willing to vote.

It's like an election.

Win over what you should win, and strive for what you may not be able to win, as long as the basic market is large enough and the votes overwhelm other competitors, it is not necessary to master it all.

Francis said that it should help to do so.

Lehman flipped through it in surprise and asked, "Is this something many people have?"

Francis smiled and explained: "Who doesn't have to collect this stuff, many of them are just ordinary people, former industry professionals but retired, who would usually ask for them? But the Oscar's operating mode, and Let their votes have value. Since it is profitable, it will inevitably be so..."

Francis didn't say much, but he meant it very clearly.

When Oscar started to implement the academy system to select the ownership of the grand prize, there will be smart people who make a profit and try their best to make a business. Furthermore, Oscar is already a business, and with its naturally existing chain of interests, it’s not enough for others to close their eyes and pretend they can’t see it. After all, you're the one who messed around first.

Therefore, it is estimated that there are still people who have similar pamphlets, such as Miramax, which built the profit of the label, but in the middle of last year, Disney and Miramax fell out, and Harvey had less backstage. the hard one...

Still, even for the reasons and legacy issues mentioned above, it was enough to surprise Ryman.

At least, Firefly has this, so that no one can understand the public relations.

Francis added: "If you didn't apply for too many nominations, I'd just say hello to a few old acquaintances, there's no need to be so troublesome. Several other companies participating in the award will definitely take action, but this matter, It's not that just having a goal will make you foolproof, some people are very grouped, and if they can't figure it out, they can't figure it out."

Lyman nodded in approval.

Of course he knew.

On this document alone, there are Jews, Italians, blacks, native whites, some British judges, and a small number of people of color from other regions but settled in the United States.

In short, that's called a complex.

Of course, this sincerity Lehmann must be willing to accept.

Firefly really needs such a platform to increase its influence. Even if it is impossible to always win the grand prize, it should not always be excluded from the grand prize.

Taking all into consideration, Lyman felt that the contacts with the Coppola family could still be closer. Although it could not be a kind of trusting and deep friendship, it was still possible to maintain a long-term, relatively good and familiar relationship.

Therefore, Lehmann also said that if you want to go to Europe to mix your qualifications, don’t miss Cannes. I am familiar there. I will say hello to the organizer and see if I can win an opening ceremony premiere.

Oops, Francis has nothing else now, just wants to take more care of his daughter. After all, the director is still a female director. It is too difficult to leave without support, not to mention Sophie Asia Pacific is very strong. No longer appearing on the screen, it is estimated that the blow hurt people.

Lehman's proposal made Francis very happy.

After all, he really didn't have much of a connection at the Cannes Film Festival...

After sitting for a while and chatting about film creation, Lyman said goodbye and left.

Although Francis asked to keep Laiman for a meal together, or simply stay for one night and have a place to sleep, Laiman felt that it was inconvenient, and maybe the two sides were not so close subconsciously, so he repeatedly refused and drove back.

The next day, after the first version of "Juno" was cut, Jason Reitman took the initiative to invite Lyman over to try it out. Although he said some comments, he probably felt a little complacent.

He felt that this was the most thoughtful performance he had made for so many years in filming, and during filming, because there was nothing disturbing, he felt very comfortable, except for the occasional scolding of the actors...

Of course, it was really good.

The theme of "Juno" is there, and now the young people are getting access to **** knowledge earlier and earlier, some people will try it in the middle, try it, there will be surprises...

Such plots are obviously imprinted with life, and the audience must have heard of them even if they have not been exposed to them.

So, how to deal with such a subject?

Sharp, bashing, opposing...  

Neither is very good. The answer given by Director Jason is to deal with it in a way to reduce the tension of the subject matter.

It looks even a little youth film, some trivial fragments of life.

The story mainly focuses on a high school student's journey from stealing the forbidden fruit to becoming a mother, interspersed with a little boyfriend's change of heart, parents' advice, and foster families, etc., and then Jason Reitman also joined some comedies. Elements, such as slang, contrast, reduce dramatic conflict.

At the beginning, Juno's character is a carefree and cute elf ghost.

It shows the unique youth and charm of a high school girl.

However, Juno was at the age of adolescence to adulthood, and one day she suddenly made a decision: she wanted to share the forbidden fruit with that handsome track team member Brick. Because she had fantasized several times that she would live with a sunny and handsome person in the future.

But the two of them became pregnant when they were not careful. They were still young and both were in school. It was too early to talk about marriage.

And Juno, after knowing that she was pregnant, showed maturity and calmness far beyond her age. She could sit on the sofa in front of her boyfriend's house with a pipe in her mouth and think seriously, and even confessed to her parents first. While admitting my mistake, I still didn't think about abortion. Although this method is actually very effective.

The impetuousness of the subject matter did not affect the calmness of the characters.

This film maintains a serenity and tranquility from beginning to end.

The success of "Juno" is that it subtly shifts the audience's attention from "sex" to a series of thoughts about teenage growth, love and responsibility, and free choice.

In other words, the hero and heroine in "Juno" didn't just run away, and they didn't make a fuss so much that they didn't even want to live their lives, and so on.

A group of people figured out a solution together.

For example, according to the B-ultrasound, it is the finishing touch.

The mother said, in any case, thank God for this gift. Arguing directly with the nurse in the ultrasound room to defend the "young mistake" daughter. The design of the lines is even more sharp, "Do you think you can be very attractive when you make a film?" - Don't blame it, what can you understand?

Perhaps in the eyes of ordinary people, a mother, at such a time, should be ashamed of her daughter and should blame her daughter with others.

But who knew Juno wouldn't be a good mother? People are willing to take responsibility.

From Juno's family, to Vanessa and even Juno himself, the film finally shows the broad-mindedness and sacrifice of women.

This is a very positive image.

Of course, "Juno" does not create a completely beautiful world, and there are many realities in it, such as the gossip on campus some people's pointing.

But Juno's idiosyncratic character kept it untouched.

This is a brave, self-conscious, carefree female high school student.

Moreover, the film also spent a relatively large amount of space describing the feeling of Juno's belly getting bigger day by day, and detailed the process of Juno giving birth to a child.

This part plays a role in beautification.

Think about it, children grow up day by day, and from the moment they are born, it is easy to leave a lovely impression on the audience, thereby alleviating those previous accusations and prejudices.

Just like people always have hope for good things, and babies are the most likely representatives of such emotions.

Lovely shot, isn't it.

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