Chapter 200： abnormal

Shooting bloody, exciting scenes in a thriller is a very test of kung fu.

After all, it has been brewing for so long, and this will soon be a climax.

At least let the audience feel good. If people are not happy, it must mean that the film is going to hit the streets. Just like a man and a woman, when you can't satisfy each other, let's all experience the other person's mood.

Wen Ziren also seemed to take it seriously, and kept discussing with the shooting team with a serious expression.

After all, the script was written by him and his friend Ray Warner. Do you know where the colorful passages of this movie are? Therefore, he designed this scene with 200% of his brain holes and technical reserves. Everything strives for perfection.

Let’s talk about the rubber calf model of the shooting props. I started preparing it a week in advance. During the period, because the effect was not good, I had to go back and redo it many times. This is how it looks like today.

In lighting, it is also adjusted many times.

White light, low brightness. The picture looks bleak.

Lehman watched from the side and had to admit that he was really talented.

Just talking about the scheduling of this scene, he estimates that it is not as good as Wen Ziren's, which can mobilize the audience's hormones to soar, giving them the visual temptation and satisfaction they want.

Seriously, I learned.

Of course, aside from the **** scenes, Wen Ziren still has a lot of experience to accumulate in other aspects, but it can still be seen that there is already a shadow of "Wen-style horror films" in later generations.

This is the restraint scene where Adam and Lawrence want to saw their legs and escape from the shackles. At this moment, the basement sets are all deliberately old.

Wen Ziren stood behind the director's monitor with excitement on his face, his eyes full of anticipation - this person may really have a tendency to be perverted in his heart, and he showed great interest in such intuitive blood. Although he was persuaded to delete several of the close-ups he wanted, he didn't give up entirely, adding a little hint, side shots, bloodstains to be spilled on the ground later, and, the model of the calf.

Originally, this guy also wanted to take a close-up long shot, and record all the pictures of slowly cutting his calf with a saw. The skin and the flesh are torn together, the flesh and blood tissue is in pieces, and the dark red blood flows out instantly. It will definitely be beautiful and more impactful-beautiful, rushing or impacting, Lehman does not know, He only knew that if it was shot like this, the movie would definitely not be rated R.

(You must know that the highest box office record holder for NC-17 movies is still Uma Thurman starring "Love in June Flowers", which is only 20 million US dollars. And R-rated movies, as long as the quality is good, it is easy Over 20 million, this is the problem brought by the audience. Another example is G-rated films, which can be watched by children and the elderly. The highest record is "Finding Nemo", which is close to 1 billion US dollars in the world. The gap.)

Well, that "Love in Love in June Flowers", if you have the resources, I recommend everyone to watch it. It's not too different from some classic third-level films of Xiangjiang.

Too SQ, too violent, too bloody, and there are not so many serious audiences who deliberately come to the cinema to support it, okay? Even if you like to watch it, why not buy a disc and watch it at home? People don't want to be embarrassed. Therefore, this market is also destined to have no hope for the NC-17. Offline, you can expect to see big sales of DVDs and videotapes.

Although Lyman couldn't understand his bad taste, he chose to respect it. Just keep it under control.

Don't be so intuitive that it's disgusting and unappetizing.

Before filming started, the drama management was still doing the final inspection.

Hugo Weaving and Jason Statham, who were about to perform, were both sitting in chairs, brewing emotions.

Hugo Weaving's sitting posture is very strange. He leaned against the back of the chair, his whole body sank as if powerless, and his eyes were closed - this would allow his muscles and spirit to be fully relaxed, which was his unique way of adjusting on the spot.

Jason Statham was much simpler, leaning back in his chair, holding the script in his hand, bowing his head, thinking about something.

Both of them also understood the importance of this scene and the difficulty of the performance.

There was an inexplicable serious atmosphere that suddenly came from the studio. Maybe everyone was waiting for it.

Lyman stood aside, looking forward to it.

Because of the previous filming, it has always been smooth - since he joined the group.

The actors, especially veteran actors like Hugo Weaving, were even more skillful when filming. This is the first time he has carefully prepared for foreplay.

"Is everything okay?" Wen Ziren asked.

"Ok." The drama manager made a positive gesture.

"—"

The camera from the No. 1 camera first gave a close-up of the saw, and the cutting chain on it looked so sharp.

Then slowly panned, pulled back, and reflected Hugo-Weiwen's whole body.

He didn't know what he was thinking in his eyes. He looked at the saw several times and lowered his head again, as if he was in the final ideological struggle.

His whole body trembled slightly, but he still stood firm - if he didn't do this, he would only die. That devil wants to see such a scene happen. He satisfies him.

Slowly taking a few deep breaths and holding his breath again, Hugo Weaving lowered his eyes, picked up the hand saw in his right hand, and stared at the ground diagonally ahead without blinking. Jason Statham stared at him, seeming to be surprised by his actions The cameraman was very annoyed, and he went back and forth between the two of them, constantly taking pictures.

There was a corpse lying on the ground. The wound is no longer bleeding. It is the actor who plays the jigsaw, J-K Simmons. If the final reversal is the finishing touch, the front is all paving the way for the end. His shots are all swept away, let people know that this is a "dead man". Now the focus is not on him, and we must deliberately reduce the sense of existence.

Hugo Weaving suddenly pursed his lips, and there was an obvious forceful movement on his hand.

Blue veins burst out, and cold sweat dripped down.

He gasped for breath, his body dazed and swayed slightly, but it continued.

Finally, he couldn't bear it any longer, and roared violently, like a wounded beast trapped in a cage. His eyes also changed completely, becoming bloodthirsty and murderous.

His expression was extremely painful, but he was still firmer than ever before. The madness was expressed incisively and vividly at this moment.

Gradually, he collapsed to the ground as if he had collapsed and lost his spine.

His face was pale, and he kept twitching.

The camera moved backwards, and I saw that there was still a shackle on a calf, and there were bloodstains from the props group on the sawtooth and on the ground. It was **** and seemed to have an inexplicable throbbing.

Hugo-Weiwen seemed to be relieved, and heaved a sigh of relief. His hands were beating on the ground, still enduring pain.

He did it, he escaped...

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