Chapter 802

"Sir, I still can't touch the inspiration of creation. Is there something wrong with the direction of my efforts?" Zhuoyang asked Professor Carl Norman.

Zhuoyang's undergraduate course is piano performance major. His study direction is to become a piano player. But in Norman's view, with Zhuoyang's outstanding musical talent, he only pursues to play with some talent. Zhuoyang has exquisite emotion, unique creative thinking and music integration and shaping ability, which has made him have the prerequisite for becoming a piano composer.

Since Zhuoyang decided to continue his studies, he has shown that he will go on the road of playing and creating simultaneously. Since then, Zhuoyang has strengthened the study and research of classical music theory and orchestral comprehensive performance, which was originally outside his curriculum. That is to say, Zhuoyang has actually started his master's study.

In fact, from a certain point of view, Zhuoyang has been able to create piano music independently, and he actually has many works.

All kinds of music elements are piled up, mixed with all kinds of complex performance skills, many obscure rhythms and variations, and how to get upset. It's not very difficult for Zhuoyang to create such an etude at present. As long as he ponders over it for a period of time, he can still finish it. Moreover, the creation style of this piano major is highly respected in many music universities around the world, including China's professional music colleges and universities.

Of course, although this kind of style is popular, it is also controversial, because such music pursues transcendence and leadership, which can also be said to be self righteous. To surpass this era, we need to lead this era. To put it another way, that is to say, how can we not understand how to come, how can we not understand the melody. This kind of school is called avant-garde temporarily.

For those who advocate this kind of music, if the songs created are understood and understood by the current people, it means failure.

In fact, this style of music, even the creator himself is not willing to play, it's really too hard to listen to, to the Department to deal with the matter, and then put it on the shelf for its own survival.

Hanover University of music, as the world's leading music field, is not immune to vulgarity, and this kind of creative style is also popular. However, the greatest advantage of the piano department led by professors al wadi and Carl Norman is compatibility. Piano Department allows this avant-garde style to exist, but also has its own insistence.

Including Hanover University of music, there are many people in the industry who think that music creation should include emotion, and this emotion should stand the precipitation and test of time. Such music is the real music, just like many classics handed down by predecessors.

Avant-garde thought that many of the music of Beethoven and other masters was not understood by the industry at that time, and many of their music was not understood by people at that time. The emotion in the movement is endowed by later generations after time precipitation, that is to say, just because it can not be understood, it can be fully interpreted, and it can be freely endowed with the soul of the movement.

Just like the famous Eiffel Tower, when it was just built, its strange and rough steel shape was totally incompatible with the romantic and classical urban atmosphere of Paris, but with the passage of time, it was perfectly integrated into the feelings of Paris, seamless, and even became a symbol of Paris.

What avant-garde want is this effect.

emotional group believes that the music created is like the mountains and the sea. It itself is part of the universe. It can stand the time to tell and touch. From the moment it appears, it has become the emotional essence of the art universe, and it is becoming more and more new.

There is no difference between the two schools, but for Zhuo Yang of Hanover University of music, he naturally prefers emotionalism. Like his teachers, Zhuoyang believes that a successful piano music is the result of emotional expression and accumulation. It is the rendering and sublimation of feelings, as well as the perception of the universe and life.

Such a movement, from the date of its birth, can arouse the audience's resonance, can let the audience touch the emotional atmosphere, and with the passage of time more and more rich and infectious. The music of Beethoven and other sages in their time is not incomprehensible, but the unique and complex feelings of which are quite targeted, special love for you.

This is Zhuoyang's pursuit on the road of music.

"I can't integrate all kinds of fragments all the time. Should I abandon them and start integrating again?"

Zhuoyang has had a lot of music fragments created by himself since more than a year ago, which are all from his improvisation in his study and life. At that time, he was optimistic that he would soon have a complete movement, only to find some way to connect these emotions organically.

But more than a year later, Zhuoyang has nothing to do with it. The more pieces of music accumulate, the more sand they can't accumulate. No matter how many pieces, they are still pieces.

Grandpa al wadi always told him to take your time.

Professor Carl Norman also comforted him: don't worry, don't worry.

OK, don't worry. Take your time. Just wait. But this wait is more than a year, or no clue, or even do not know where the direction of efforts, do not know whether the method of learning is correct, which is very troublesome.When spring came, Zhuoyang and Professor Norman discussed the problem many times, trying to find the crux of the problem with the help of their tutors, or perhaps the door. It's the same thing when I come to school today.

"Zhuoyang, in fact, it's normal that you haven't found inspiration at this age. Usually, it's fast to create your first track before you are 30."

"The first one is daokan. If you have the first one, you will find a way. The inspiration behind you will be endless. Don't worry." Professor Norman dundundun teaches. "In fact, the etudes you created before are already very good. I think some of them may become classics."

"Well, it depends on how others interpret it many years later. Anyway, I don't know the meaning of it." Zhuoyang knows that the repertoire, which is made of stacking depth and skill, depends on what posterity gives forcibly. It has been a long time, but it is not.

-- Lu Xun's words expressed the author's bitter smile and helplessness to the dark society at that time. The author intended to convey a positive and optimistic mood to the readers, to be alert to the people, to be sober and to break through the shackles of the old system. And the author of the use of exclamation words, fully and strongly expressed the idea of ending the old system.

-- Lu Xun knows: fuck me, I don't know a word "hahaha!" How could it have such a profound connotation?

"Zhuoyang, your real problem is that you are too young. Your experience is too little, no matter from emotion or experience, your accumulation is too little. "

"Your current age is the biggest threshold for your music creation."

Professor Norman wakes up the dreamer with a word, but the next words really disturb Zhuoyang's heart.

"Zhuoyang, it's time for you to leave. It's time for you to leave Hanover!"