"Mr. Meng, do you have to go into the water?"

Li Yong, dressed in a leather jacket, asked hesitantly as he stood by the pool.

Although the leather cover is waterproof, it is still very cold in the water in early spring.

"Don't talk nonsense. Just let you go down."

"All right."

Although he didn't want to go into the water, Mr. Meng's order eventually overcame his fear of cold water. Standing by the edge of the pool, "baimura" jumped into the pool with a splash.

The pool is only half the depth of the body, and a half of the holster can be exposed when bermura is standing in the water.

Meng Lang stood on the bank and said to him, "the toy plane will be hoisted over later. When you hear the sound of laser, clap your body and squat in the water! Stand up in two or three seconds, understand? "

"Understand!"

Li Yong obediently raised his paws, looking funny.

Meng Lang shook his head, picked up the walkie talkie and exclaimed, "what about the stuntman? Shit again

"Mr. Meng, I'm here, I'm here!"

"Is the Swan ready?"

The props teacher replied: "ready! Mr. Meng, you can rest assured that there is no problem! "

If something goes wrong, I'll make you a toilet!

Meng Lang murmured and gave orders.

Cote fighters are usually pulled by transparent silk thread, and later equipped with various weapon light effects.

Li Yong's performance is not bad.

Baimura hid in the water and was harassed by the Kurt "submarine" driven by Meng Nan. She showed her head and was attacked by the swan in the sky. She was so angry that she grabbed the submarine in the water and threw it to the shore. As the flames rose, Meng Nan fainted.

At this critical moment, Meng Nan wakes up from syncope. After leaving the submarine, he looks at the baimura destroyed by Longze lake and feels the stick!

Biubiu!

Altman on stage!

The posture of appearance is very handsome and classic. The right hand clenches the fist high above, and the left hand clenches the fist near the head.

This posture was later quoted by many auter's works, and became the most classic appearance action in auter's series.

Of course, seven masters are not included.

After all, he is a destroyer. People hold their right hands high, only he holds his hands high

Yang Jun was the actor of the first generation leather cover, and the leather cover was still the classic red and white color matching.

Only less sulfuric acid face, toe up and other features.

Sulfuric acid face is too ugly, although it is regarded as a classic, but everyone knows that kind of words are pure ridicule.

The audience won't pay for it.

There were many styles of leather cases in the early period.

The first ten episodes are the most classic a-face, also known as the sulfuric acid face.

In the middle of the production, Yuangu realized the problem and made a b-face. Then, in the last few episodes, he revised the b-face and finally formed the C-face that is still in use today.

Meng Lang directly made the classic C-type holster, which is absolutely superior to the original in terms of viewing experience.

Altman and the monster come on stage one after another, and the next thing to do is to wrestle with each other.

But mujah, who is in charge of designing the combat action, raises a question.

"Mr. Meng, since Ultraman has super powerful light skills, why can't you use them in the first place?"

Gan!

He also wants to know the answer to this question!

It's not just Mujie. I believe that any audience who has seen Ott's works will have similar doubts.

If Altman has a must kill skill, why wait until the red light is on?

There is a lot of speculation about this.

Some people say that Altman accumulates his anger through fighting skills, and only when his anger bar is full can he release a big move!

Some people say that Altman's big move has the effect of "killing". The lower the enemy's blood, the better the effect!

A reliable guess is that the energy is limited, and the use of big moves needs to see the right time.

Before Yuangu gave an explanation, these conjectures all sound reasonable.

What is the truth?

The answer is simple! This is Ott's law!

The so-called Ott's law is that you must lose against the wave (against the kick), you must drive a big monster, you must not take it seriously in three minutes, and if you start to drive big, you will get weak

From a practical point of view, the wonderful part of Altman's play is that Altman fights small monsters. If the content of this part shrinks too much, unless the plot is wonderful enough, it is difficult to sustain the ratings.

Playing drama can't be too long, too long will destroy the integrity of the plot.

The conclusion is that there must be a play, too long or too short is not appropriate.

This is the most reasonable explanation.

Of course, no one can tell exactly what their ideas were at that time.

Maybe their ideas, as the netizens guess, are also uncertain.

Meng Lang also has his own views on this issue."Altman's settings are soldiers from the state of light's Ott garrison! Since he is a cosmic fighter, he must know the truth that he knows himself and his enemy, and that he will win every battle. "

He rowed: "when you encounter a strange opponent, if you don't have an absolute certainty that one hit will kill you, first try to test the opponent through fighting skills, consume the opponent's energy, and then you will kill with one strike!"

Altman's chest light is called a color timer!

Since it's a timer, when the timer lights up red, it means there's not much time for battle. Altman doesn't have time to test the monster.

At that time, whether you are sure or not, you have to take out the killer mace at the bottom of the box and try it.

Meng Lang's explanation is biased towards setting a direction, which belongs to the theory that sounds "unknowingly sharp" but in fact is all bullshit.

But Mujie took it seriously!

This is what Mr. Meng said. Is there any fake?

With the theory just heard, Mujie began to arrange movements for Yang Jun and Li Yong.

Not to mention, Meng Lang's blatant theory of "first try and then kill" was applied to the action design by Mujie, and the effect is quite good!

The original Altman fight, whether it's Showa or Pingcheng Olympics, is over exerting in the early stage, and gradually shriveled in the later stage. Only when he is beaten to the ground, does he stand up and make a big move to solve the monster.

It's not that it's bad.

There are back and forth play is good-looking, if Altman on the stage to crush the monster, it will lose the original flavor.

The second kill King's fighting power is incomparable, basically has not eaten the shriveled, but the child does not want to see!

It's not shameful to eat a little!

Don't you see someone who doesn't eat or shrivel Cough, forget not to black him.

Mujie's action design implements Meng Lang's thought and fully shows the ferocity of the monster.

Turn into a shriveled one!

Kurt, help. It's better!

The monster zooms in, and it's ashen.

Full of anger, just iron fist from M78!

Monsters howl, sparsham light!

Monster GG!

The process is just like this, adding a more aggressive dodge counterattack.

The embrace of love is inevitable.

It's just that this time, from Altman's active rope holding, it has become a monster's rope holding.

"The monster wants to strangle Altman!" Mujie explained

Reasonable and convincing!

Altman's play is just like this. It's just the beginning. There's no need to be like Leo.

All the good things are used by the early generations, but can't you come up with the new Olympics?

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