Chapter 349

Yang Xiaoming wrote such an article, of course, because he felt beaten in the face by the facts after seeing that the sales of the most solo was so high, while Wu Di's slam dunk master didn't write according to his prediction.

Tens of millions of online fans of Wu Di went to Yang Xiaoming's microblog to ridicule him, and Yang Xiaoming's popular Du Niang was directly blasted again

Of course, Wu Di's fans have sufficient confidence to refute Yang Xiaoming's fallacy. In particular, the sales volume of the most solo is slightly lower than that of Youth Festival and time fragment, which completely exceeds that of the most solo. It seems to be a youth literature magazine on the surface, but readers who have read the magazine will find that its style is similar to that of time fragment "Youth sacrifice" is different. The articles in it focus more on interest, joy and commerce. It is a very interesting novel.

Wu Di's fans also clung to Yang Xiaoming's wrong prediction of slam dunk master, and severely despised the author who, relying on his old qualifications, gave instructions to future generations in the literary world.

Yang Xiaoming's previous bad deeds were naturally dug out by powerful netizens. When he saw such a public opinion situation on the Internet, he was completely ashamed into anger. He found that Wu Di's fans were really crazy

It's no wonder that under such circumstances, he will quickly write an article "the current situation and future after XX". This analysis of the new generation of writers after XX written by Wu Di, Liang Liang and Gu Yangfan is lengthy, which can make outsiders see the clouds, but it can divert people's attention at once. It can only be said that his map gun is too big!

The current situation and future of post XX writers is about Yang Xiaoming's dissatisfaction with the new generation of writers. It reads: "it is completely impossible for post XX writers to adhere to such a posture and become backup writers of mainstream literature. From the perspective of literature, the "post XX" writing is not literary writing as a whole, but can only be regarded as the "fan" writing of literature at best. The so-called "fan you" is a borrowed word to explain that the writers of "post XX" can not be regarded as real writers, but mainly lovers of literary creation“ I have said before that the "post XX" authors and their works have entered the market but have not yet entered the literary world; This is because the "star authors" among them rarely appear in literary magazines. The literary world only knows their names, not their people and their literature; And they also seem to be satisfied with their success and have no intention to go out of the market and into the literary world... "

In this article, Wu Di is not shot too much. She is a new generation of writers with both market and real fame. Writers like Liang Liang and Gu Yangfan who have made their debut through the "star of literature" are simply sprayed with blood by Yang Xiaoming!

Liang Liang's reaction is the fastest. He knows that this is the chance of pen combat he is eager for! He did not hesitate to write an article "the literary world is a fart. Don't pretend to force anyone". In this way, the title is a super controversial pen battle text!

He wrote in the article: "Mr. Yang's narrow circle consciousness revealed in his article. What about the literary world? What about the literary world? How do you want to enter the literary world? It sounds like a child playing at home. It seems that when old Yang nodded, you entered the literary world. In fact, every blogger has entered the literary world. Don't be so sophisticated. Every author is unique and every novel is artistic. The literary world is a fart, the Dun spear literature award is a fart, and the pure text semester magazine is a fart, that is, 100 people have sex and 100 people read it. I've been doing a lot here for a long time, and my posture has changed a lot. You always say there, "come on, see how I fuck. Learn a little. You can enter the prostitution world only if you have the same action frequency as me."

"Some elders should write something seriously. Don't be yellow and violent. In fact, they are more agitated than young people. Don't get together to make something, pretend that what altar or circle is an altar in the end, and what circle is a wreath in the end. As I said earlier, real Wulin experts are all by themselves. At most, they can bring a beauty with poor martial arts skills. Only small minions can get together. "

"As for young people, literature is written carefully and casually. These are the only things people can do. Everything else depends on nature. Literature is the only thing that can't be stumbling and practicing hard. And not like most of the hypocritical predecessors. The most dangerous realm of literature is that it is really hypocritical, but I still feel very sincere. "

Liang Liang's article "literary world is a fart, no one should pretend to be forced" was published. Because Liang Liang's previous article "literary world is a fart, no one should pretend to be forced" was also a wide-ranging map gun, another literary critic Lu Tianming also joined the war group. He supported Yang Xiaoming. Both literary critics with "Ming" began to siege Liang Liang.

Under such circumstances, Liang Liang Liang still took his time, sending out sharp written essays one after another, which made people fully aware of his quick thinking, but his hard injury was that he was too straightforward.

He was like a real warrior. He was also scarred when he rushed from left to right. In the end, no one could help anyone. Yao Qiong was also this virtue at the beginning.

Since Yang Xiaoming accused the new generation of writers of not writing really good articles, all of which are a pile of kitsch commercial literature to please readers, if you have the ability, you can write a truly critical article and prove yourself. If this article can also be used for pen combat, it is really sharp.

Thousands of miles away, take the head. This is the fighting style of the natural and unrestrained.

When Liang Liang fell into the quagmire of pen battle, Wu Di finally calmly shot her hand. According to Yang Xiaoming's own personality experience, she wrote an ironic short story chameleon with exaggerated writing techniques.