In the entire world of self-cultivation, such treasures as the Mieyun Copper Coin, which can reduce one's luck and strengthen one's own luck, have always been very rare.

Cultivators with similar supernatural powers are also very rare.

Meng Zhang has done in-depth research on the copper coins of Miyun.

On the surface, exterminating copper coins can cut down luck, and secretly absorb and store part of the cut luck.

Part of it can be used to strengthen itself, and part of it can be used to temporarily strengthen the user's luck.

In the past battles, Meng Zhang had used this function to improve his luck and become almost invincible in a short period of time.

But such an approach is not without cost.

Luck is something invisible and intangible, and it seems very mysterious.

But if you have an in-depth understanding of it, you will find that even a strong person at the level of a fairy cannot play with luck at will.

Otherwise, doom must be imminent.

If special immortal artifacts such as Mieyun copper coins are used without restriction, over time, not only the immortal artifact itself will suffer doom, but the owner will also be implicated.

This is also one of the reasons why Meng Zhang didn't give this fairy weapon to a younger generation of immortals.

In fact, the Mieyun copper coin is now taken out of the fairy artifact of Mieyun copper coin in Mengzhang to use it as an introduction.

In fact, he didn't have too in-depth research on the way of luck, and he didn't have powerful magical means.

If he wants to fight in the air with the enemy he guesses, he needs to rely on the ability to destroy and transport copper coins.

Under Meng Zhang's control, the dharma altar began to start slowly, and the color between the sky and the earth changed faintly.

The Mieyun copper coin also began to rotate slowly, and its power was aroused.

Meng Zhang looked at himself and found that his luck was passing slowly but firmly.

As the master of the Taiyi Realm, Meng Zhang's luck is closely related to the Taiyi Realm, and they are almost one.

His luck is passing, and the luck of the entire Taiyi world has also begun to decline.

In fact, the luck of a strong person at the level of a fairy is not only not restricted by the big world, but also exceeds most of the big world.

This also means that it is difficult for a strong person at the level of a fairy to rely on the luck of a certain big world.

Although Meng Zhang seldom uses the secret technique to deduce, but in today's situation, if he does not use the secret technique to deduce, there is no better way.

When Meng Zhang was still a lowly cultivator, he stepped into the ranks of Tianji masters by practicing Dayan divine calculation.

Since then, with the improvement of his cultivation base, his level of Tianji technique has also been continuously strengthened.

Among the classics left by the Taiyi Golden Immortal, there are everything inclusive, and there are also some inheritances of the secret arts.

However, Taiyi Golden Immortal is not a specialized celestial master, and his attainments in celestial arts are mediocre.

The inheritance of the secret arts he left behind is basically from his own collection.

Of course, even if a high-ranking monk has never practiced Heaven's Secret Art, as his cultivation level improves, he will gradually possess some similar abilities.

Especially after becoming a fairy, the performance in this aspect is very obvious.

Many immortals in the void have more or less mastered some means of calculating the secrets of heaven.

Since one has the ability to calculate the secrets of the heavens, there are corresponding means of blocking the calculations of the secrets of the heavens.

This is also one of the biggest obstacles encountered by Immortal Master Tianji.

Among mortals, there is a saying that doctors do not heal themselves. When Tianji masters calculate themselves, they often encounter some additional obstacles.

Meng Zhang is a Celestial Master with rich practical experience.

Not only has the experience of deriving the secrets of the heavens many times, but also has fought fiercely against the secrets of the heavens.

Although Dayan's divine calculation is infinitely miraculous, its level is not high, it is just a secret technique of the level below the level of a true immortal.

Meng Zhang has an extraordinary talent, absorbed the advantages of other celestial techniques, brought forth new ones from the old and brought forth new ones, and raised the level of this celestial technique.

After he was promoted to the Immortal Master of Heavenly Mystery, his Heavenly Mystery Art became a school of his own, not a mechanical copy of the inheritance of his predecessors.

With his cultivation base of Tianjishu, he has long been superior to blue, and he has formed a school of his own.

It is a pity that although the Taiyi Sect has vigorously cultivated the younger generation of celestial masters, they are now completely unqualified to inherit Meng Zhang's mantle of celestial arts.

In these years, due to various considerations, Meng Zhang has seldom used the secret technique to deduce.

Now, as soon as he started to use the secret art, he showed extraordinary power.

He cleverly used the technique of running the secrets, easily avoided all obstacles, and directly entered the theme.

The question he wanted to calculate this time was what caused his luck to pass away.

The special celestial artifact of Mieyun Copper Coin, as an important medium for the calculation of the celestial technique, has effectively guided the direction of the calculation of the celestial technique.

If the secret opponent is a guy with a higher level of cultivation than him, then Meng Zhang is asking for trouble if he hastily calculated the secret.

If those extremely high-level fairy treasures were involved, Meng Zhang's calculations would come back in vain.

Fortunately, although Meng Zhang's luck is low, he is not very unlucky.

At some point, his luck was even good.

This time the secret deduction, because it is too important, Meng Zhang is also willing to pay some extra price.

Before he had to pay the extra price, it was the normal calculation of the secret technique, which soon gave him some useful clues.

It seems that there is no Immortal Master of Secrets among the hidden enemies.

He neither shields his own secrets, nor does he have the consciousness to fight against secrets.

The enemy is just instinctively resisting the derivation of his own secret technique.

Such an enemy, even a fairy, would not be too difficult to deal with.

After casting some spells, scenes of scenes appeared in Meng Zhang's eyes.

An extremely old man with a hunchback and a bent waist was jumping non-stop in front of an altar.

Although Meng Zhang didn't see the whole picture of the altar, just judging from its exposed part and its faint aura, he had a certain judgment in his heart.

This altar is something of witchcraft, and its function should be to assist the display of witchcraft.

Witchcraft is a practice system that has long been annihilated in the long river of history.

In the current Void Myriad Realms, there are at most some broken sorcery inheritances circulating.

For example, in some wild worlds, there are primitive and savage wizards who have realized some superficial shamanism and secret methods on their own.

Some monks from the Daoist sect and the magic sect have practiced some scattered witchcraft and secret arts, or integrated incomplete witchcraft and secret arts into their own inheritance.

...

Pure witchcraft practitioners, I dare not say that they have been completely extinct, at least they are very rare.

Ever since Meng Zhang embarked on the road of practice, he has never met a real wizard.