Chapter 429

In fact, Japanese distributors have been promoting for a long time. The reason why they have waited until now is to wait for the news of the box office explosion of Korean films.

Japan and South Korea are also a pair of old friends. They have a lot of mysteries with each other. However, in the cultural field, the relationship between the two sides is still very deep, er... To be precise, they should despise each other.

In short, for a movie that broke the box office in South Korea, the Japanese audience had a great desire to see it critically. After watching it, they mocked it on the social platform: what a broken movie, that's all. The South Korean audience really didn't see the world.

In fact, there are a lot of audiences who go to the cinema with this mentality. Then, when the first scene is over, many Japanese audiences look a little trance when they go out of the cinema.

The impact of "wandering the earth" on them is actually much more intense than many Chinese audiences, because in Japan, geological disasters have never been broken, and earthquakes with a magnitude of 4 or 5 come almost every other period of time, and people are even used to it.

Therefore, they have a special preference for such disaster films, and "wandering earth" has achieved the ultimate in terms of creativity, pictures and special effects.

Here I have to mention the Japanese distributors. They invited quite influential Japanese dubbing actors to dub the protagonists in the play. Many Japanese audiences even thought that the film was made in Japan.

I have to mention here that the reason why "wandering the earth" can have a good box office performance in Southeast Asian countries is also an interesting thing, because Asians in Southeast Asia look more alike. In addition, they wear helmets most of the time, so it is difficult to find subtle differences.

Therefore, when countries publicize, they deliberately or unintentionally blur their true identity, so that many viewers once thought that these were all their own people and had a burst of sense of belonging. As for being exposed after watching, it can only express regret. Who can't make such a good film?

At the same time, counterparts in various countries are also aware of the gap between the two sides, especially in large cultural exporting countries such as Japan and South Korea. It goes without saying that South Korean films have always been known for daring to expose ugliness. Many South Korean directors seem to recognize that they are against the government. However, many South Korean directors seem to have been pulled away from their spirit after seeing "wandering the earth" in the cinema, Sit where you are.

This feeling, how to say? It's like the reaction of many Chinese film directors after seeing "Avatar" one by one.

In fact, we all know the gap between the domestic film industry and Hollywood, but we have been lying to ourselves and the audience. As long as the content is well shot, the special effects are not important, but are they really not important?

Once there is a film with extreme plot and content such as "wandering the earth", it is equivalent to a blow to the head. Whether you are stunned by a stick or wake up is entirely personal quality.

"Wandering the earth" was released in Japan for one and a half months, with a total box office of 31 billion yen, equivalent to about 2 billion yuan. It can be said to be a terrible achievement, and it also broke the original box office record of 30.8 billion yen.

According to the previous sharing agreement, Han FeiGuang can get an income of about 500 million yuan in the Japanese market. Of course, it is only before tax.

After breaking the box office records of Japan and South Korea, Chinese netizens are almost split. It seems that the money will eventually go into their pockets. Of course, this kind of thing to win glory for the country is really worth bragging about Han Fei.

After all, for so many years, no Chinese film has been able to do this. The so-called cultural output and cultural identity start bit by bit.

In this regard, the most happy leaders are naturally the leaders. Han Fei's previous application was won by him with the script with the superior leaders. What's this called? It may be a bit exaggerated to say that you know pearls with your eyes, but it's always reasonable to say that you do practical things with your heart and escort the export of Chinese culture?

In addition, the superior leaders are now a bit enthusiastic about his attitude. What they say and what they say is to make him redouble his efforts and prepare for new challenges. Is it necessary to transfer his work?

Another good news is that "wandering earth" has won seven nominations for best director, best film and best photography of the Golden Rooster Award. However, they are all nominations for technical awards, and there is no nomination for actor awards. In fact, it can be understood that after all, the special effects of "wandering earth" are too prominent, and the acting skills of actors are not bright.

After a few years, the main creative team is naturally very happy to be nominated for the Golden Rooster Award again. In the past two and a half years, everyone has had a good night's sleep. The return at the box office is only a part. The award is equivalent to spiritual recognition, which is very important.

After the Japanese box office was painted, Han Fei calculated an account. The "wandering earth" invested 1.02 billion, and the mainland box office has returned to its capital and made about 2 billion. If you look at it this way, it is not as good as Han Fei's previous revenue. However, if you count the box office outside Shanghai, it is different. The box office revenue in Southeast Asia alone is 700 million. Secondly, it has not been released in North America, If it works well, it will also be a huge profit.

Not only is Han Fei calculating this account, but all film and television companies are also calculating this account. Originally, we thought that the investment risk of 1 billion yuan was too large, and the investment was not directly proportional to the income. Now, it seems that the income ratio is not low.

So many film and television companies began to investigate the overseas market. Of course, the conclusion is that the risk is still not small. In fact, only a few companies really dare to go abroad. After all, the domestic market can make money. Why go to the mixed water abroad?

However, while most film and television companies are still waiting, Xingyi media announced that their new film "frozen planet" will invite the original special effects team of "wandering earth" to carry out post production. Once the news was announced, it won the attention of various multimedia.

Li junmiao also declared more than once that "wandering earth" is an icebreaker. They just follow the steps of icebreakers.

However, compared with Li junmiao's desperate, most film and television companies choose to wait and see temporarily, and everyone is waiting for the box office performance of "wandering earth" in North America.

Once the box office performance of "wandering the earth" is poor, it shows that the cultural barriers between the East and the West have been strong enough to ignore the excellence of Chinese films. Without the largest North American market, the plan of Chinese films to go global can only become an empty talk.

At the beginning of November, Han Fei received a call from Chris. Match point has begun to prepare that "wandering earth" will be released in North America in the middle of this month. The reason why he chose this time is to avoid collision with other Hollywood blockbusters during Christmas.