Since entering the Forbidden City and getting off the train, Liu Zixia has asked the film crew to start shooting.

Of course, it's not shooting them, but letting them do their old business, that is, recording the shooting of the Forbidden City.

For every museum, there needs to be a triple introduction of words, pictures and videos in the national treasure archives. After all, the main purpose of this program is to promote Chinese traditional culture.

And a museum, in addition to the collection, the most worth introducing is the creation process of the museum and its history!

Therefore, Liu Zixia asked this shooting team to take pictures of the palace museum buildings with their own professional skills to record what Ma Weiping is introducing.

Ma Weiping is very happy to introduce the Palace Museum. After all, he is a researcher of the Palace Museum. He also knows that today's shooting may be on TV, so he is very attentive to the introduction of the museum.

Moreover, if he can better publicize the Palace Museum, he will be happier than anyone else as a "Palace Museum man".

……

It's not far from the parking lot in the Forbidden City to the palace, so after a short walk, they came to the front of Taihe hall.

Ma Weiping immediately began to introduce the relevant knowledge of Taihe hall

"Ladies and gentlemen, this is the hall of Supreme Harmony, also known as the" golden Luan Palace ". Do you see the plaque of Jian Ji Sui you on it? It's actually a copy.

The original has been lost. The characters on it are actually written by Emperor Qianlong of the Qing Dynasty, but later, they were replaced by Yuan Shi, the great thief of stealing the country.... "

As a researcher of the Palace Museum, Ma Weiping has read a lot of historical facts.

Regardless of the buildings in the museum or the antiques, calligraphy and paintings, he knows a lot about them, especially the cultural relics he once participated in the restoration!

"Mr. Ma, do you mean that there are more than 1.8 million cultural relics in the Palace Museum, which you know?"

When he heard Ma Weiping talking about the collection in the Palace Museum, Su Nuo, who had been following Liu Zixia with Yueyue and Hanhan, suddenly asked such a question.

"Fat man, don't talk Liu Zixia glared at Sunuo and said.

This fat man is really impolite. He asked people so frankly.

It's too obvious to show doubt!

"It doesn't matter, Mr. Liu."

Ma Weiping turned to look at suno and said with a smile, "do you think it's incredible and that what I said is false? It's impossible for anyone to remember the information of nearly two million collections? "

The doubt in his words was exposed, and suno was embarrassed again!

"I dare not say all the information about the collection. I can explain it in detail, but at least I am good at the collection of porcelain and jade in the Palace Museum."

Ma Weiping is full of confidence, including his expression when he talks!

He is qualified to say this because of his professional ability. In addition, he has been working in the Palace Museum for nearly 20 years, and he is familiar with these things every day.

"Uncle, I know what jade is, but what is this porcelain?"

As soon as Ma Weiping's voice fell, Yueyue raised her cerebellar pouch and looked at Ma Weiping, asking such a question.

In the little girl's impression, it doesn't seem to involve the knowledge of porcelain?

"What is porcelain?"

Hearing this question, Ma Weiping was stunned at first, then looked at Yueyue, laughed and said: "little guy, do you know the bowls and plates used at home?"

"I know!"

Yueyue nodded, frowned and said, "they are all white and bright. There are some beautiful patterns on them! But they are so easy to break that they break at the slightest touch

Yueyue's words amused everyone.

It's really interesting for this little guy to say, "it breaks when you touch it." how can she exaggerate that?

"These bowls and plates are made of porcelain."

Ma Weiping said: "but those things can't be called porcelain. Porcelain is made of porcelain stone, kaolin, quartzite and so on. It has glass glaze or painted objects on the outside."

"Oh, yes!" Yueyue nodded her head and said, "that's the bowl and plate with pattern."

"Er... Well, it can be understood that way too!"

Ma Weiping doesn't know what to say, because she can't understand explaining such a profound thing to a seven or eight year old child?

"Mr. Ma, in addition to photographing the buildings of the Forbidden City and various kinds of collections, the most important thing today is to photograph a precious treasure in the Palace Museum, which is usually displayed for a limited time!"

By suno and Yueyue, the atmosphere became relaxed.

Liu Zixia also began to get to the point. After all, today's time industry is limited. It's impossible for people to accompany them to the museum for a day. It's important to finish shooting quickly.

"The treasure of town hall for limited time exhibition?"

After hearing what Liu Zixia said, Ma Weiping thought for a moment and said: "to tell you the truth, we do have many precious collections in the museum, and each one is priceless. If you really want me to talk about the treasures of the town museum..."

"Mr. Ma, we know that you have deep feelings for the cultural relics in the Palace Museum, but we still need to select the collection that best represents the characteristics of the Palace Museum in Beijing. Only in this way can we better publicize the Palace Museum, Beijing and our traditional Chinese culture!"

Liu Zixia heard the hesitation in Ma Weiping's words, so he specially emphasized his tone.

After all, the program "national treasure" uses Chinese "national treasure" for publicity. You can't just pick a cultural relic out of the Palace Museum and let it be on the show, can you?

In that case, Liu Zixia won't agree to it, regardless of whether the citizens can accept it or not!

Therefore, he felt it necessary to remind Ma Weiping that he would not be perfunctory.

After careful consideration, Ma Weiping said, "Mr. Liu, I understand what you mean. Talking about the treasure of the Palace Museum, the most representative cultural relic, I think it should be ancient calligraphy, painting and porcelain

As soon as Ma Weiping said this, he attracted everyone's attention.

Why should we say that the most representative cultural relics are ancient calligraphy, painting and porcelain?

Among the bronzes and miscellaneous items, there should be a lot of national treasures, right?

"Mr. Ma, why do you say that?" Suno continued to ask questions with the spirit of "being quick and eager to learn, not ashamed to ask questions.".

"You must have such doubts, too?" Ma Weiping turned his head and looked at Liu Zixia and others.

Indeed, they don't understand why Ma Weiping said that.

"Let me talk about porcelain first." Ma Weiping said with a smile: "sorry, because what I'm good at is porcelain, so let's talk about porcelain first!"

"China is the hometown of porcelain. In the 16th century B.C., in the middle of the Shang Dynasty, porcelain appeared in China."

Before Liu Zixia and others spoke, Ma Weiping introduced himself

"It can be said that the invention of porcelain is the great contribution of our Chinese people to the world civilization. Even in the eagle text, the name" porcelain "is equivalent to China. So I say that porcelain is one of the most representative national treasures of Chinese traditional culture. "

Hearing Ma Weiping's statement, all the people on the scene nodded slightly and agreed.

The English word "China" has been known by people since they were young.

After all, before Chinese, hawk was the universal language in the world. They all knew what the word meant.

"What about ancient paintings and calligraphy?" Suno asked a little eagerly.

He was very curious, just like there were thousands of kittens scratching.

"Although ancient calligraphy and painting are classified into the same category, they are actually two categories!" Ma Weiping explained: "calligraphy and painting, respectively!"

"What's the difference between the two?"

Liu Zixia frowned and said: "since ancient times, calligraphy and painting are inseparable. If the ancients could write articles, they would also have beautiful words, beautiful paintings and a poem. Calligraphy and painting are of the same origin, isn't it? "

"Yes, calligraphy contains the strokes and elements of painting. Many characters are very vivid, which are evolved from pictures. And Chinese painting pays more attention to the use of calligraphy brush, the taste of calligraphy, and painting creation with the brush method of calligraphy. "

Ma Weiping first affirmed Liu Zixia's statement that "painting and calligraphy are inseparable." then he shook his head and said:

"But this homology does not mean that the source and development track of the two are the same, but that there is an inseparable close relationship between them.

The connection between them was not obvious at the beginning. Until the Tang Dynasty, most calligraphers and painters were separated.

Until the Song Dynasty, with the emergence and influence of the "four schools of song" and other literati painters and calligraphers, the relationship between calligraphy and painting became more and more close, forming a situation of "painting and calligraphy are not separated."

"Oh, so it is!"

Ma Weiping's unique views made Liu Zixia and others suddenly realize.

It turns out that before their views on calligraphy and painting, has always been a little understanding.

There is such a course of development between painting and calligraphy.

"Mr. Ma, do you mean that books and paintings can be divided into two parts?" Asked suno.

"Of course... No!"

Ma Weiping was very naughty and said: "calligraphy and traditional Chinese painting, as two important representatives of Chinese culture and art, fully reflect the core aesthetic elements of Chinese art. Therefore, both of them have something in common, no matter in the use of pen, charm or inner emotion. "

"I see!" Liu Zixia nodded and said, "that's why Jinghua Palace Museum will combine calligraphy and painting to set up a pavilion."

"Yes Ma Weiping nodded and said, "next, let me talk about calligraphy and painting. Why can they represent our Chinese traditional culture?"

"Calligraphy is a unique form of artistic expression of the beauty of characters in China and the surrounding countries and regions deeply influenced by our Chinese culture."

Ma Weiping said: "if it is subdivided, it includes Chinese character calligraphy, Mongolian ancient calligraphy, a la Bo calligraphy and Eagle calligraphy. Among them, "Chinese calligraphy" is a unique traditional art of Chinese characters, known as: silent poetry, dancing without lines; A picture without a picture, a silent music, etc