Chapter 1182

The body of the statue is composed of black marble, and there are round carvings with a diameter of three feet on the chest, which are extremely complex.

The shape of this stone statue is an upright giant shrimp with a sharp head, two convex eyes 360 degrees without dead angles, emitting a bright red light. The giant shrimp war statue not only has two shrimp pliers, but also four smaller arms on both sides of the waist, which can be used to attack.

When the five story giant shrimp war statue ran up, it was like a micro earthquake, the ground was pounding, and many gravel objects around it were bumping, with an appalling momentum.

"It's the battle image of the dragon clan! With the strength of ordinary demon kings, don't attack other places, only attack their joints. Yun Fang, you step back and be ready to use protective war poetry at any time. You don't need to fight. The rest of you meet the enemy with me!"

"That's troublesome." Fang Yun immediately stepped back and stood behind the six great scholars, but his eyes stared at the carvings on Zhan Xiang's body. Ao Huang said before that the war image of the dragon clan can only be hard to solve for foreigners, especially for ancient demons, it can only be blocked with life.

However, the dragon clan has its own way to deal with it. It only needs to send the Dragon force into the carving on the chest of the war statue, and it can be sealed for ten hours.

Originally, Fang Yun was not qualified to use the dragon power before jumping the dragon gate. Although the dragon in the Wen palace has the dragon power, it is difficult to release it. It can only be used to protect the Wen palace. But after Xuehai's Dragon Boat formed a Longmen projection, Fang Yun found that he could mobilize the dragon power of Wengong Panlong. Although the dragon power was sparse, it was only the level of a young dragon, but it was the real dragon power after all, and it was more than enough to seal the carving.

This is not a critical moment. According to the agreement with yunzhaochen, Fang Yun didn't need to expose his strength. He first summoned Lian Shi assassin, and then summoned general Baima and Hanlin war poetry generals step by step.

The six great scholars have rich combat experience. They first wrote fast battle poems and began to disperse everywhere. Then they used war poems to slow down the Colossus, and then used powerful great scholars to attack war poems, swords and platforms.

Fang Yun retreated while observing the battle at the undergraduate level.

Ten war statues are very strong. They are as high as five floors. People can only look up. At first glance, they are unreasonable. Even the great Confucianism will be easily clamped into meat mud by shrimp pliers.

However, readers are good at long-range attacks.

Thousands of war poetry soldiers will be like ants at the feet of war statues. War statues instinctively smash and kick with shrimp pliers. Their actions are as agile as normal humans. They often kill hundreds of war poetry soldiers with one blow.

The cost of killing soldiers is that they slow down.

Six shining talent ancient swords are flying around the war image. The war image is very agile, but the talent ancient sword is only a foot long and its speed is more than three beats, which has completely exceeded the scope that the war image can capture.

Fang Yun smiled. The dragon people who made these war statues in those years never thought that there would be the power of lip, gun and tongue sword. Even if there were many kinds of ancient demons, they would not resist objects in the air. At most, they threw some hard objects, which could not be compared with lip, gun and tongue sword.

The talent ancient sword aimed at the joint of the war image and attacked continuously, with sparks and continuous impact sound.

While watching, Fang Yun pondered the sword control methods of the six great scholars. He soon found some details that he had ignored before and kept them in mind.

In addition to controlling the sword, the six college students also occasionally use war poetry, which is mainly used to block and slow down the speed of war images. The real main attack force is not only verbal swords, but also Wentai.

Wentai is a powerful force formed by university students. It can grow like a sword of words.

As like as two peas of the six people, the clouds and dust, the leaves and the songs of Tan Hemu, and the four towers of Lian Ping, are all the same. They are all ordinary literary platforms, and there is a very wonderful ancestral hall on the stage.

This is one of the characteristics of Xuemang ancient scholars. Most of them use the "ancestral hall platform" to absorb power from the strict patriarchal system of Xuemang ancient land and turn it into combat power.

After observation, Fang Yun found that Lian Pingchao was good at using the power of "punishment" in the patriarchal system, such as the power of "evil", "immorality", "injustice" or "civil strife".

His ancestral hall always sends out a black airflow, which wraps the joints of the war statue and continues to cause damage.

Yun zhaochen, Tan Hemu and ye Fangge mainly used the power related to rites in the patriarchal system.

Fang Yun's eyes fell on Yun zhaochen. He saw a clear light outside his ancestral hall and shrouded a war statue. The war statue can't run at all. It can only walk slowly step by step. Each action is extremely standard. Obviously, it uses the "patriarch's family law" and orders the war statue to do so.

On the basis of Yun zhaochen, ye Fangge used the power of "the dignity and inferiority of the legitimate commoners". Two clear lights were put outside the text platform of his ancestral temple to cover two war statues. No matter how the two war statues struggled, they could not surpass the war statues ordered by Yun zhaochen, because they were designated as humble commoners and could never cross the noble legitimate sons.

Fang Yun was curious to see this power for the first time. In the holy Yuan Dynasty, due to the strength of Legalists, the power of this patriarchal system was unprecedentedly weak, and even the people in the temple rarely used the power of patriarchal system.

But in the ancient land of Xuemang, for hundreds of years, a large number of scholars have lived under the order of the patriarchal system. Once the university students form an ancestral temple, their power can not be underestimated.

Fang Yun secretly sighed that the patriarchal system will eventually be replaced by legalist forces, and anyone who tries to stop the general trend will be crushed by the mighty historical trend.

Blood mountain is located in a corner of ancient land, which can be maintained as long as the channel with the outside world is not opened.

Although the number of war statues exceeds that of the great masters, they can only use their bodies for close combat. Even if they all have the strength of ordinary demon kings, they are still played by the six great masters.

After only a hundred breath, all ten war statues fell to the ground, and their joints were damaged. It took at least a quarter of an hour to recover.

The seven people got together again, then rushed forward quickly, stopped five miles away from the ten war statues, entered a collapsed palace, controlled the war poetry soldiers to look for valuable items, and discussed.

Yun zhaochen said: "I chose to fight because I was familiar with the power of war statues. As you can see, even if there are dozens of war statues at this level, I can't wait, but if the number is more than 100, there will be trouble. However, the dragon city can't be full of war statues. There are only many war statues at the entrance of the main hall or special places, so next..."

Yun zhaochen glanced at the six people and said, "we have two plans now. We rush forward without entanglement with the war image. We go straight to the five dragons hall. However... We don't have a map. We can only see within ten miles. It's easy to get lost. The second plan... Yun Fang, come on."

The other five students looked at Fang Yun curiously.

Fang Yun coughed softly and said: "You also know that I have a little knowledge of ancient studies. Although we can't see the size and shape of the ruins of the Dragon City, and we don't know where we are, I know a little about the layout habits of the dragon city. I can infer the general direction of the five dragon Hall according to the seen architectural layout. Now we see too few buildings, and I need to walk a few more miles to be more sure. If I can find them It's better to go to landmark buildings. "

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