Chapter 460

Lei Yue didn't look at the speaker. He still looked at the blue sky outside the door and said, "why not?"

"The Dragon climbing stone of the Lei family is a gift from the dragon family to the Lei family. It is the protection of Lei Zu. How can it be lost to someone with a different surname? Why don't you go to the Dragon Palace and ask for an ordinary dragon climbing stone to give it to Fang Yun? I'm afraid he won't say anything. If he dares to care, he will use the relic of Lei Zu and ask the dragon family to prohibit him from entering the Dragon platform."

One person said unhappily: "although the relationship between the dragon family and Lei Zu is so deep that we don't know to what extent, it's too serious to take Lei Zu seriously to use Lei Zu's relics for a mere dragon climbing stone."

"Yes, Lei Zu's relics can't be used casually. No matter how deep your love is, it's also useful."

"What's more, Lei Zu's relics can be killed even half saints. My Lei family has only used them twice in hundreds of years. Don't move for this!"

The humanitarian: "I'm not really going to use Lei Zu's relics. I'm just telling the wind that the dragon clan must sell this face."

"Fang Yun has also published imperial poems, which is of great help to the dragon family. The dragon family may not sell face. After Tanabata, I went to the Dragon Palace to ask about the dragon family's attitude towards each other's luck. The princess firmly refused. It can be seen that the dragon family doesn't think that the whale King helped him kill my Lei family's children is worth punishing."

The crowd was silent.

Lei Yue said, "I didn't agree with you about inviting the great Confucian Nangong lengwen to suppress Fang Yun, but I didn't obstruct you when you wanted to save the honor for the Lei family. Finally, I bet that the Lei family can't win the dragon stone, and it seems that they have a good chance of winning, so they have to bet. However, it's difficult to disobey the will of heaven, and the Lei family is ashamed. Now, who can solve the problem of my Lei family's reputation?"

The Lei family looked at each other, but no one spoke.

"If you lose, you lose. It's not humiliating. If you can't afford to lose, you'll be humiliating. Let's stop it. The Denglong stone belongs to Fang Yun, and I'll ask for another one."

Some Lei's family looked at each other with gloomy eyes.

After a long time, the Lei family came out of the assembly hall one after another, and the four old people moved forward slowly together.

"My grandson died miserably because of Fang Yun. We can't provoke the whale king. I don't want to do anything about Fang Yun, but he must go to the grave and plead guilty!"

"Although the situation was complex at that time, the deceased was large, and Fang Yun should plead guilty."

"Fang Yun is in the limelight, and we can't do it openly. What should we do?"

"Before long, there will be the Ten Kingdoms contest in the Ten Kingdoms plus Confucius School palace. If he knows how to leave Shangshe, I can't help him. But since he has entered Shangshe, he must participate in the Ten Kingdoms contest. Instead, it is my chance! I personally go to Jingguo and promise benefits to Zuo XiangLiu mountain of Jingguo. I don't ask for anything else. As long as Fang Yun dares to participate in the Ten Kingdoms contest, I will surely be able to blame Jingguo for its great defeat Buckle it on him! "

"Jingguo has been defeated year after year, and the examination of the National Congress of the ten countries is the strength of many people in one country. Fang Yun may be able to sustain himself at the beginning, but he will not be able to reach the top three or even the top five in the end. It would be a safe way to attack Fang Yun's literary name a little."

"That's right. I don't want to hurt Fang Yun. I just want to spoil his name to comfort the spirit of my grandson in heaven! It has nothing to do with my Lei family who will chase after him again. Moreover, we can add fuel to the flames at the beginning and lift Fang Yun up high. Finally, once he falls down heavily, the effect will be better."

"Wonderful!"

"When it's done, he'd better know how to advance and retreat and return my Lei family's Dragon climbing stone. Then my Lei family can give him an ordinary dragon climbing stone. If he doesn't know how to advance and retreat, don't blame us."

"In addition to the dragon family, among the three families of people and demons, my Lei family knows the best about the Dragon platform. It's harmless to punish him in the Dragon platform."

The crowd laughed and walked away.

Lingyan Pavilion, in front of the seventh Pavilion.

It is still surrounded by white fog, and there is still a wooden pavilion in front. The plaque on the wooden pavilion also reads three words.

Colorful poetry Pavilion.

Two golden pieces of wood hung on one side of the Caishi Pavilion.

Fang Yun: Ten chips for moving mountains and ten chips for ink sword.

Fang Yun smiled and his eyes continued to fall on the three words "Caishi Pavilion".

The first stage of painting is "poetic and picturesque", and there are many aliases of painting. Because the main colors of painting are red and cyan, it is also called "Danqing". Moreover, there are poetry and painting. Everyone once said that "painting is color poetry and poetry is black and white painting", so "color poetry" has become another name of painting.

Under the guidance of Zhao Hongzhuang, Fang Yun's painting road has touched the edge of the painting road. Although it has not entered the painting Road, it is not far away.

Fang Yun is also fully prepared for the colorful poetry Pavilion.

Fang Yun walked slowly into the seventh Pavilion.

When Fang Yun opened his eyes, he felt that the sky was spinning and the earth was spinning. All kinds of scenery in front of him were flashing wildly. Mountains, hills, fields, wilderness, desert, grassland, snow capped mountains, streams, long rivers, sunrise, peacocks, parrots, leopards, markets, flower streets, old women, girls... And all other things that can be painted appeared quickly.

Fang Yun immediately closed his eyes. After a while, he opened his eyes and looked around.

Due north is a snow covered plateau, with no grass, and eagles passing in the sky.

Zhengxi is a bustling street with shops, pedestrians, endless streams and all kinds of people.

There are many mountains in the East, towering and tall, with green trees covering the mountains.

Due south is hilly pine forest, riprap stream, reed boat, leisurely and quiet.

Fang Yun carefully observed the surroundings. This four-way scenery is the test question of Caishi Pavilion.

The main reason why Caishi Pavilion ranks seventh is that it tests not only painting, but also poetry. Only by paying equal attention to poetry and painting can it get ten chips. Even Gu Kaizhi, the first person of painting in that year, can't get ten chips. Instead, Tao Yuanming won ten chips because Tao Yuanming is good at poetry and painting.

Before Fang Yun entered Lingyan Pavilion, after seeing the three words "Caishi Pavilion", he naturally came up with the evaluation of Wang Wei by CI Saint Su Shi.

There is a picture in the poem and a poem in the picture.

Fang Yun only knew that Wang Wei was a great poet of the Tang Dynasty before he got the world of strange books, but after he got the world of strange books, Fang Yun knew that Wang Wei played an important role in the way of painting in ancient China. Wang Wei was even regarded as the "ancestor of Nanzong painting" by Dong Qichang, a master of calligraphy and painting in the Ming Dynasty.

If we only pay equal attention to poetry and painting, only Su Shi's poetry and painting can be compared with Wang Wei's poetry and painting in the whole Chinese history. Therefore, seeing the words "colorful poetry Pavilion", Fang Yun thought of Wang Wei for the first time. Before entering Lingyan Pavilion, he made up his mind to learn Wang Wei's paintings, not to mention Wang Wei's famous "landscape theory" and "landscape formula" and the famous "ink breaking landscape".

In order to learn Wang Wei's poems and paintings well and deeply understand Wang Wei's deeds, Fang Yun found an interesting thing, that is, the relationship between Wang Wei and Li Bai.

They were born in the same year and died in the next year. They both appeared in Chang'an at the same time. They made friends with many poets, but they hardly met. It was incredible in the Tang Dynasty under that atmosphere,

Both of them have an intersection with Meng Haoran, Wang Changling and Du Fu, and have contacts with Princess Yuzhen. Li Bai is best at writing poems to send friends. Meng Haoran, Wang Changling, Du Fu and Gao Shi have appeared in Li Bai's poems, but the famous Wang Wei has not.

It is still unknown why the relationship between the two is so, but some people speculate that Princess Yuzhen and others speculate that it is an unrecorded private feud.

On the height of ancient poetry, Li Bai is above Wang Wei, and Wang Wei is even better when he pays equal attention to poetry and painting.

Fang Yun didn't immediately choose what to draw, but silently recited Wang Wei's "landscape theory" and "landscape formula" in his heart, recalled Wang Wei's poems, and finally looked at the scenery of the four directions again.

Fang Yun observed the snow fields, downtown areas, mountains, forests and streams one by one, thought for a long time, and finally selected the stream.

The scenery in the other three directions disappeared, and then all the tools for painting and poetry, such as table, pen and ink, paint and so on, appeared in front of Fang Yun.

Fang Yun closed his eyes and recalled the landscape masterpieces of previous dynasties. Then he chose a piece of white painting paper of moderate size to lay on the table and soon began to paint landscape.

Before entering the three realms, painting emphasized fine brushwork rather than freehand brushwork, because fine brushwork can better act on war painting. After entering the three realms, freehand brushwork and fine brushwork pay equal attention.

Although Fang Yun pays more attention to Meticulous Brushwork, he has not left the way of freehand brushwork. These gods want to ask Zhao Hongzhuang for the method of freehand brushwork.

The reason why Wang Wei was praised by Dong Qichang as the "ancestor of Nanzong painting" is that his "ink breaking landscape" connects the preceding and the following, inherits the rendering method before the Tang Dynasty, and later has a significant impact on literati painting, especially the texturing method of the southern school.

Chapped sound in the same village originally meant that the skin was dry and cracked due to cold or wind. In landscape painting, chapped method is a painting technique to show the surface of mountains, rocks, mountains and bark. Chapped method is a sign of the maturity of landscape painting.

The landscape painting before Sui and Tang Dynasties was "empty hook without chapping", while the landscape painting after Tang Dynasty was "chapped dyeing". It can even be said that the development and finalization of chapping contributed to the development and peak of ancient landscape painting.

Landscape painting without texturing is incomplete.

After seeing the stream in front of Fang Yun, he knew that this painting must mainly paint "stone", "pine" and "water", and the others can be brief. The painting methods of the three are different. Any good painting of stone, pine and water can be included in the list of masters.

At the beginning, Fang Yun still followed the mainstream painting method of Shengyuan continent at the moment, but when he painted the hills and stones in the water, his writing method suddenly changed, using the painting method of southern landscape created by Wang Wei, the ponding texturing method and the raindrop texturing method invented by Mi Fu.

Under the influence of talent, the stone head in the painting is vivid, as if it came out of broken paper, which is extremely thick.

After using various systematic mountain and stone texturing methods that did not exist in Shengyuan continent, Fang Yun's painting realm increased at an irresistible speed.

Before he finished painting the mountains and rocks, Fang Yun only heard a strange sound of paper tearing in the Wen palace. He seemed to have pierced a layer of paper. Then the scenery in front of him and the paintings in his pen became different, and he had a deeper understanding of the scenery and painting.

Painting first, poetic and picturesque.

Fang Yun smiled. Although his painting skills were mediocre, only a few special texturing methods were enough to enter the eight chips, but it was still a little short to reach the nine chips.

Therefore, when painting streams, Fang Yun involuntarily used some painting methods of Xia GUI, a famous scholar of the Southern Song Dynasty, in the picture of thousands of miles of the Yangtze River. This painting plays an important role in the history of painting, because the "water" in this painting and the "water" in previous landscape paintings have made a qualitative leap, and the posture of water in the painting is more full.

In the painting, the rocks move gently, the water flashes, and the water even tends to rush out of the paper.