As soon as this interview came out, it was no surprise that many different voices were heard.

An Ruixin's fans think it's really cool for her idol to say such words in front of the camera!

Those who don't like an Ruixin think that an Ruixin is pretending to force the whole interview and criticizing today's performing arts circle with a high attitude, which is arrogant and inflated!

However, he is a newcomer in the performing arts circle. He thinks he is powerful after winning several awards. Don't look too ugly!

But soon some fans of an Ruixin revealed that these people were actually fans of young actors who had been criticized for their poor acting skills.

The words cited by an Ruixin in the interview just hit their pain points, which made these people take their seats in the right place and naturally attack an Ruixin.

When the vest was stripped, this group of people fell into a very embarrassing situation, and the support of the next group of directors and the people behind the scenes in the circle beat this group of people in the face, telling them that Ann Ruixin is absolutely qualified to say these words.

"When I saw this interview together, I was shocked. I couldn't help calling for Xinxin like young people now. Xinxin's first play was with me. At that time, I never thought that she could go so far, but it didn't affect my appreciation of her. As a new comer, she is dedicated and old-fashioned, never complaining. Remember the last scene that surprised everyone? At that time, Xinxin hung for a whole hour and flew around in mid air. When she came down, her waist was not very straight, but she only said happily, fortunately, this is the last scene, otherwise I'm afraid it will slow down the progress of the cast. She has talent, but she works harder than anyone else, which makes her who she is today. " This is Zheng Fanghe, director of Kongtong que.

"I've made a lot of historical movies in my life, but the most satisfying one is Elegy of the Chu and Han Dynasties. Considering the particularity of the role of Yu Ji, I was ready to ask for a stand in at that time. It was she who made me give up the idea. Whether I was playing or dancing, she would definitely do it herself if she could. She never wanted to be lazy. She has fulfilled all the responsibilities of an actor, but she thinks that it's really valuable that she takes it for granted This is Feng Zhicheng, the director of elegy of Chu and Han Dynasties.

"She's not a professional dancer. It's easy for a dancer from primary school to stretch her tendons and lower her waist for more than two months, but it's a big challenge for her. Mingming was sweating with pain, and her face was pale, but she never cried out for pain. She moved me and the audience with her persistence and efforts. You can only see the sad beauty of farewell my concubine, but I can see the tears and heartache hidden in the beautiful dance. She is not a genius, she just made a genius with her own efforts. " This is Ren Yi, a classical dance artist who once directed an Ruixin.

"At the beginning of the audition for blind obedience, many people were in line with the role of sister, but no one could perform the blind as vividly as she did. It was a long time after the shooting started. We learned that she really turned herself into a blind person after receiving the audition notice for a week. She spent more than 100 hours in a week wearing an eye mask. We were impressed by the helplessness and sadness of the blind person, not to mention her acting skills This is Yu Qian, director of blind obedience.