"Can we go out and see this picture?"

Liao Shuifen murmured and repeated, as if he had understood something. He asked in a low voice, "do you mean that in this portrait, there is a secret about whether he can walk out of the ancient tomb?"

"If all that you just said existed, then the workers who built ran min's tomb must have been Han people, right?"

But Gao Fei didn't answer the question.

Liao Shuifen some puzzled reply: "should be like this almost? After all, ran min is the enemy of the Hu people. Besides, his tomb is very destructive to the Hu people. Of course, Taoist Guangrao doesn't want the Hu people to participate in the tomb repair project. "

Gao Fei added: "well, if you think about it carefully, will Taoist Guangrao exterminate all the workers in order to keep the secret of Ran min's tomb?"

"Never."

This time, Liao Shuifen did not hesitate: "ran min killed Hu people and protected Han people. If he killed those Han workers because he put an end to his grave, it would be tantamount to violating his belief. Therefore, Taoist Guangrao will not kill those workers, but in order to ensure that the tomb will not be destroyed, he has to find another way. "

"If Tietu is here, we will have a much greater hope of going out. He is an expert in this field."

After Gao Fei suddenly said something about Tietu, he went back to the topic: "I think so. In order to avoid being destroyed by Hu people without killing workers, Guangrao Taoist priest who designed and built the tomb of Ran min had to make an article on the tomb itself. For example, he designed a series of killing traps. The mechanism of the tomb was not built from inside to outside, but from outside to inside."

At that time, those grave repair workers arranged organs from the outside to the inside. Without one organ, they could never go out to the central point of the tomb.

After designing the mechanism of the tomb, Taoist Guangrao left a way for himself and the workers to withdraw safely from the tomb. The premise is that the exit of this road will be in the environment where people can't come in, for example, in the middle of the Yellow River.

After completing the most satisfactory works, many masters will leave some clues to remind others to find the secret of the production process. This is very normal. It depends on whether others can find the secret.

An authoritative expert of the Egyptian pyramids also put forward such a theory, claiming that the secret of how the Egyptian people built the pyramids is hidden in the pyramids, but it has never been found.

If you follow this hidden rule (Gao Fei once heard from tie Tu that the Han people were influenced by the idea of "prosperity leads to decline", so they would deliberately leave some imperfections when making anything. Just like Li Shimin in in the heyday of Tang Dynasty, he was afraid that the Empire of Tang Dynasty would be envied by heaven, so he did not dare to be perfect, and he would deliberately make a gap in his eating bowl.

Unfortunately, his grandson Li Longji, who created the "heyday of Kaiyuan", didn't understand this truth and tried to perfect everything. As a result, he was envied by heaven - the Tang Dynasty is the only dynasty that was defeated in the heyday of Chinese History), so Guangrao Taoist will certainly leave a little "incomplete".

This is the only way for later tomb robbers to come in. It can also be called the road of life.

If so, where is the secret that guides the way of life?

On the black jade Kang, there is a decree of killing Hu, which can prove the identity of the owner of the tomb. There is nothing visible on the walls of the whole four square tomb. If there is such a secret hidden, it can only be seen in the picture of "painting the earth as a prison".

"If you want to find the possible secret of leaving the tomb, you can only find it in this painting."

"So we have to do our best to study the differences in that portrait," goofy said

Liao Shuifen, who was listening to Gao Fei's speech quietly, raised her question at this time: "since we can all think of these, how can we not think of them? How could we leave that painting for us to look for? "

"Do you know that cats play with mice?"

When he asked this question, Gao Fei was very depressed. He had played the role of "mouse" several times and let others play.

Liao Shuifen understood: "young master, he wants to play us to death - to see if we can find out the secret from the portrait. In this way, it will increase the fun of his playing

"The answer is correct."

Gao Fei sighed and finally understood the real reason why yinjinhua said to give him seven days.

At the beginning, Gao Fei thought that if he could not find a way out in seven days, he would die of starvation and thirst.

But when he "inadvertently" came to the tomb, he found that there was food beside the jade Kang. Although there were many unhealthy things in it, it could replenish his physical strength in time. It was no problem to support him for at least seven days.

Since the young master didn't want to starve to death or thirst to death, it proved that they used other methods.

Or to put it simply, if goofy can't find a way out in seven days, the way out will be closed forever, and they will die.

"Well, can we find the secret from the picture?"

Liao Shuifen asked carefully.

"What do you say?"

Gao Fei asked.

"I don't know."

Liao Shuifen shook his head and said, "how long do we have?"

Gao Fei looked up at the top of the dark sky and murmured, "there is no calendar here. At most, it's three days, two days, or one day?"

In an environment completely isolated from the outside world, waking up, sleeping and eating, no one can be sure how many days they stayed up.

Liao Shuifen is silent, no longer talking, just listening to Gao Fei's heartbeat.

I don't know how long later, Gao Fei stood up with her in his arms.

"Where to?"

"Look at the picture."

Gao Fei seems to smile, very proud of his answer, holding Liao Shuifen slowly to the wall, put her down.

Liao Shuifen put his left hand around his waist and said in a low voice, "close your eyes first. I'm going to turn on the lighter."

Liao Shuifen closed his eyes. After hearing the sound, he slowly opened his eyes. Then he saw the picture.

Gao Fei raised his hand and moved slowly on the painting: "the fire source is limited. We must firmly remember that in this painting, everyone, every action, even the expression, how many lines, whether they have made special actions, such as pointing to a certain direction."

Speaking of this, it suddenly occurred to Gao Fei that when he was in Fang's old house, he had found the second white book of an GUI Jing hidden in the sandwich wall according to a painting.

I just didn't expect that he would play that game again.

The biggest difference between the two games is that Gao Fei couldn't see the secret in the portrait last time. At most, he couldn't find the Scriptures and the statue of quimola, which delayed moye Zhengdong to become a normal person as soon as possible.

But this time, if he can't find it, he will stay here forever.

He hated such a guessing game, but he had to guess it carefully.

How he hoped that Liao Shuifen around him would be Tietu, because he was an expert in this field.

Unfortunately, it's not Tietu, it's Liao Shuifen who needs him to take care of.

Of course, Liao Shuifen has its irreplaceable use. For example, Gao Fei thinks wildly and glances at Liao Shuifen from the corner of his eye. The woman stands there seriously, absorbed in the painting, and has no notice of how much she is now worrying men.

"Boundless heaven, good, good."

Gao Fei learns the appearance of an honest monk and makes a loud noise in his heart. Then he concentrates on the painting.

There are seven people in the picture, big and small, a horse.

Three of them occupied half of the space, and the most prominent one was the old man with a long beard, namely King Wen.

Behind King Wen was a soldier, holding a horse that was not tall.

In front of him, Wuji, dressed as a woodcutter, stood there foolishly, letting a soldier draw a circle at his feet.

In the distance, there were still three people, the one nearest to this side, who seemed to be a petty official, walking towards this side quickly.

A little farther away, he was also a woodcutter, carrying a load of firewood on his shoulder.

The farthest one can't see what he's doing. It's just a personal shadow.

Gao Fei and his wife are both staring at the expressions and movements of the characters, especially the lines.

Slowly, the disposable lighter in Gao Fei's hand became very hot, so he had to let go.

Darkness, immediately engulfs the whole world.

Standing in the dark quietly, neither of them spoke. They all recalled the unusual things in their minds, such as the figures in the paintings, even the horses and the shoulder poles.

In fact, when you feel that there is something hidden in a picture, you will feel that everything in the picture may have a strong indication, even if the eyebrows of the characters in the picture are pointing to the other side, which is similar to the idiom "suspicious neighbor stealing axe". Because of preconceived reasons, it is also doubtful to see other people's normal actions.

"The little finger of King Wen's left hand pointed to the flower rack."

Liao Shuifen said in a soft voice: "the posture is very strange. It seems to point to something."

"It's true. I didn't think of it."

Gao Fei suddenly gets excited. He takes Liao Shuifen's hand and goes to the wall. He grabs the main flower rack and smashes it on the wall!

With a click, the wooden flower rack broke into several pieces.

Although Liao Shuifen couldn't see it, he was very concerned: "when he smashed the wall, did he hear the empty sound of Dong Dong?"

"No, but I see the light."

Gao Fei said, squatting down, Mo Hei picked up a flower rack wood, this just lit the lighter, said with a smile: "at least, this flower rack can burn, much stronger than the lighter."

"Ah, why didn't I think of it!"

Liao Shuifen cheers, can't help but pad his toes and kiss Gao Fei on the cheek.

"Don't sweep. I'll be delayed."

Gao Fei said impolitely.

"Go away, can't you talk to someone?"

Liao Shuifen began to get angry again. If this place was not too creepy, she would have been far away from Gaofei and how far away she would have been: this person is too unqualified and doesn't know how to feel.

All the wood of the flower rack is very heavy, and I don't know what kind of wood it is. Fortunately, the air in the tomb is still dry, and there is raw lacquer on the wood (a kind of natural lacquer, which is easy to burn), so Gaofei took seven or eight minutes to light the wood.

"Yes, it did!"

Looking at Liao Shuifen nervously beside him, he smashed his fist excitedly: "quick, you can see what's different in this corner!"

Gao Fei was not in a hurry to look at the corner, but frowned and smelled the burning wood. He said, "it's very strange, very fragrant, but it's very choking - isn't there anything strange in this wood?"

"Yes."

If yinjinhua were here, Gaofei would hear her reply to he Xiucheng.

"What's weird?"

He Xiucheng, who is manicure with a nail clipper, is sitting on the sofa, manicure without raising his head.