Chapter 296

"You Americans, you always make trouble for others!"

Facing this kind of Tucao, Sophia Coppola still make complaints about Kusano's arrival.

Miss Coppola has never seen how to make a movie. She has been in Hollywood with her father since childhood. Of course, she is very familiar with the set.

However, she is not familiar with the Japanese set.

How does this Oriental island country make movies?

It's very mysterious to her, and she also hopes to get some inspiration from it.

So, what kind of movie is Makino making now?

……

Tokyo is a very big city. It has not only 23 districts, but also many small satellite cities. In fact, Chiba county can be regarded as a metropolitan area of Tokyo. You know, it's a county. In terms of area, Tokyo is much larger.

Since this place is very big, and it's very close to Tokyo, so HAYANO chose it.

Guanshan city is located at the southernmost tip of Chiba. This so-called city is actually the size of a town, but after all, it is a city, and there are many things.

"Now let's distribute the work. In terms of location, it's up to Zetian to do it. My request is very simple. Heavy rain and mountain roads are washed away. No matter what means are used, it must make people feel uncomfortable. At least let the audience have a look at it."

"Hayi!"

"Next is the interior. We've rented a B & B this time. It's not bad for me to have a look at it, but we still need to make some adjustments. In short, it's better to expand the B & B, at least to let our actors have room to perform in it. We'll leave this work to szechu."

"Hayi! Don't worry, brother

That's what Miss Coppola saw. As a supervisor, HAYANO released all the tasks before shooting. Then, everyone began to be busy.

Coppola also heard about the post of supervisor. He heard that Japanese film makers usually listen to one person, the screenwriter, the director, and even all the work he can do.

Akira Kurosawa is such a representative.

Sophia Coppola, she also wants to be such a supervisor, but it's really hard in Hollywood.

But miss Coppola felt many differences immediately.

Come on!

The rhythm of the whole crew is very fast. After being arranged by Cao Yexing, they start to take action immediately.

Of course, setting is necessary to make a movie. As far as a general director is concerned, especially in Hollywood, it's just a director.

As for the big director, he will talk about his own ideas, and then discuss them through some meetings. When everyone has finished talking about their opinions, he will start to draw and draw the general situation. Then he will go down to decorate, and the people who do the engineering will appear and start to build slowly.

Generally speaking, the characteristic of Hollywood is that the division of labor is relatively clear, but the efficiency is really slow.

Sometimes it takes months just to build a set. The big director comes to see it. If it doesn't work, he has to do it again.

It seems that the film Makino is shooting now doesn't need too complicated scenery. As for the engineers, let's work together anyway.

The pace of the whole work is very fast.

Coppola wrote that down.

In addition...

"How? No way

"Hayi!"

"Come again!"

"Hayi!"

Miss Coppola also saw these, that is, the superior to the lower reprimand.

I've heard that there is a hierarchy system in Japan for a long time, but I don't say it now, but now it seems that it is.

Of course, some places do not do well, and the superior's reprimand does make some sense. After that, it should be remade and the efforts of all kinds of personnel should be made.

But in the United States?

It is estimated that the workers will directly point their middle finger and then give up.

Otherwise, many workers are working there slowly.

Anyway, their wages are actually calculated according to time. The longer they work, the more they earn.

So the workers are very smart.

Miss Coppola saw the difference between Japan and the United States here, and naturally, she stood on the side of the United States very decisively.

Obviously, workers in the United States are more self-conscious, while in Japan they are much less.

However, she also has such judgment, that is, the work here in Japan will be very efficient. Although the workers are oppressed, they are really working.

Well, these are quite good gains.

……

Katsuko HAYANO said to miss Coppola that he was really big, but there was nothing he could do about it. Who let this be the task given to him by Fuji TV.

But it's also very good. Let this girl see the working state in Japan. She estimates that... By the way, the lost Tokyo may be shot earlier.

In fact, for "lost in Tokyo" this film, HAYANO's memory is still very deep, he does not know how many people really saw the film, but, at the beginning of the film.

Well, Scarlett gave the viewers a back image. She was lying on the bed, only wearing cotton underwear.

It must be said that HAYANO is absolutely a serious supervisor, and he only looks at this shot with an appreciative attitude.

As for why HAYANO feels that it is likely to affect the lost in Tokyo.

The reason is also very simple. Anyone who has seen this film will understand that, in fact, Miss Coppola wants to describe some cultural conflicts between the East and the West. In this film, the male and female protagonists are all white, European and American. They live in Japan and are not in conformity with Japanese culture, so it is difficult to adapt.

Take a look at the change of Miss Coppola's expression now. There's no need for Hayao to analyze too much. Hollywood talented women should discuss how to tell this story in their heart.

In other words, the cultural differences between the East and the west, of course, is a very old topic. The key is how to choose the entry point. The entry point of lost Tokyo is good.

In the past, few people paid attention to what a white man would be like when he came to the eastern world, especially when he was not very strong and could not lead a group of Oriental people.

At least in the field of film, it's rarely done that way.

Most of Hollywood's films on this aspect are Oriental. Whether they are Chinese or Japanese, they have all kinds of changes and differences since they came to the European and American world.

In fact, it can be seen from this that the cultural arrogance of Europe and the United States, or the underlying arrogance.

HAYANO knows this. He only knows about this kind of arrogance. He doesn't want to do too much, because he knows that no matter what he does, it doesn't have much effect.

It's like a sentence he particularly likes.

Weakness and ignorance are not obstacles to survival, but arrogance.

Anyway, it can't change anything, so as long as you understand it, it's Cao's philosophy of eating melons.

So at the moment, HAYANO is ready to make films seriously.

Now this movie is the "fatal ID" in the three small budget movies that were planned before.

According to HAYANO's script, the film will take place on a rainy night, and there are many characters who kill each other, and eventually one or two of them will become survivors.

And the truth is that so many people are actually murderers.

In fact, as far as Japan is concerned, there are also practical examples.

In 1989, a guy named Miyazaki was arrested in connection with the death of at least four young girls.

In short, this guy is a beast, an asshole, not a person at all.

However, there is also a lot of evidence that this guy is probably not "one person.".

This is what some Japanese scholars have said, that is, Miyazaki is likely to be a multi personality psychopath.

Of course, this is probably done by some active abolitionist groups in Japan, that is to say, they want to rescue the scum and the devil, and then show their will to abolitionist

It's a guess, but it's true that some people are talking about Miyazaki's multiple personality.

HAYANO naturally believed that there was no lower limit for those abandoned groups. Even this kind of scum had to be rescued.

But right now... Yes, this movie I shot can be a reflection.

So, the name of the killer has now been determined.

Miyazaki.

Well, the name seems too insinuating, but in Japan, it seems that the more it is, the better.

And the murderer's play is not very much, and HAYANO is going to find a very obscene guy to try.

Other roles are more important. Before that, there was a battle in the front bathtub

This is not the point. The point is that he has promised caicaizi and ah Hui to play in the film.

So, the arrangement of this role

Caicaizi has a good temperament, so she is arranged as an ordinary "personality".

An ordinary office worker, kind and strong.

It's perfect for caicaizi.

Ah Hui is not the same. She's so beautiful and beautiful, so... A wine girl.

Well, when caono proposed the role, ah Hui pinched him again and again.

Why?

Because ah Hui's mother photon is a wine girl, so what do you mean by this role?

In fact, he swore to heaven that he would never make trouble, because in the original fatal ID, there was a girl who took off her clothes on weekdays...

Now he's just using it, and the role is still brilliant.

Fortunately, ah Hui agreed in the end, and she was very happy.

Because she thought clearly that she could be angry with her mother through this role.

What about caono?

I was pinched in vain... It's really miserable.

That would be nice, but!

The Zhongshan sisters, the two of them...

Anyway, the four female characters in this film, namely female personality, are the four of them.

It's just that tsaono had never dreamed that the four of them were chatting in pairs.

"Master, he..."

"I'll tell you. Ah Xing's taste may have changed. I want to try a blonde

This is caicaizi and ah Hui.

"No!"

"Whether it will or not, we can't let that foreign girl succeed!"

This is the Zhongshan sisters.