Chapter 177

During the whole day, Xiang Kun basically spent two wood carvings.

It was originally thought that it would be easier to establish another special connection for materials with "super sensory connection" after making finished products. However, it failed directly.

Is it because "super sensory connection" is a kind of connection based on rational observation, while this kind of connection that can perceive other people's emotions and dream pictures is a "perceptual" connection?

Xiang Kun still habitually explained the phenomena he had observed.

At about ten o'clock in the evening, he was ready to put aside the woodcarving for the time being. He sensed three objects that had established special contact with him. The two characters were still motionless, but the wood carving with eight arms and eight eyes had a reaction.

This makes Xiang Kun very excited, immediately sit up, ready to do perception, as if constantly looking at the mobile phone, and finally see the pursuit of Goddess back to wechat!

However, as soon as he got the emotion which was obviously not his own through his perception, he saw the vague picture, and he was so frightened that he almost jumped out of his chair.

Sleeping trough!

What the hell is this!

The first two pictures he saw were different, but they were all lying in bed.

But this time, in the fear he felt, the subjective perspective saw that he was immersed in a huge boiling oil pan, constantly boiling, and there were several ugly looking monsters tearing his body to devour.

The monster with eight arms and eight eyes was also among them, but it did not participate in the swallowing. Instead, it tilted its head and bent over to look at the "emotional one".

Xiang Kun also saw from the cracks surrounded by these monsters that there were a lot of normal dressed human beings, men and women, old and young, looking at this side from a distance and clapping their hands.

What's the matter with this product? Are you afraid of the situation you are trapped in and what you become like?

Xiang Kun, who had already had Guo Tianxiang's most memories, thought he had seen a lot of "horrible scenes" and his nerves were already very big.

But this picture He has never seen it before! It's so powerful!

Xiang Kun even worried about this "emotional person". He could feel the other party's emotion and clearly know that the emotion did not belong to him. Therefore, the emotion would not cause a series of physiological and psychological chain reactions, but the "emotional person" was different. This kind of intense panic, even in the dream, would have a profound impact.

Since the woodcarving is in the hands of Tang Baona's grandfather, the people affected may also be Tang Baona's relatives, which is not good

Xiang Kun pondered that he would have to find a way to contact Tang Baona tomorrow and replace the wood carving with a nightmare.

But what made him wonder was why the three dreams seemed to be created by different people? Has the location of the woodcarving changed?

At about 11 o'clock after the perception of the eight arm and eight eye woodcarving, Xiang Kun sensed that there was a reaction from the "teacher's watch".

The emotion he felt this time, as he expected, was nostalgia and a trace of sadness. The dream picture he saw was in a mourning meeting. From the black-and-white photo in the middle, he could recognize that this was a comrade in arms of his father when he was a soldier. He died in a car accident more than ten years ago.

His father's comrade in arms had a very close relationship with him in the army. Although he was not in the same place after he was demobilized, he also had occasional contact with him. Xiang Kun met several times when he was a child.

It can be judged that this is my father's dream.

We can see that among the mourning crowd, there is the old man who lived next door in Tongshi town and taught Xiangkun to write calligraphy.

Xiang Kun knows that the old man is the projection of the word that arouses emotion.

Later, Xiang Kun saw the pictures of his father and his comrades in arms when they first entered the army training. Naturally, there were all kinds of random entry of the old man next door in these pictures.

Seeing that the old man was so kind and kind, he still stayed in Xiangkun's summer vacation, he also felt some emotion.

The song of "bingxia" didn't come back to Kunxia soon after he tried to sleep?

Or that word was put in the hospital office and didn't affect her?

Or she was on duty in the hospital at night and didn't go home to rest?

For the time being, Xiang Kun continued his induction of the book, and soon after, he got the perceptual feedback.

The dream I entered this time is obviously my mother's.

This can also prove that the object with special connection can't affect multiple targets at the same time to produce dreams, but after a period of time, it can continue to act on other targets, which seems to have a cooling off time.

But his mother's dream also surprised Xiang Kun. He was watching TV in the living room of his home. There was a character in the play who had just been GG. His mother's mood followed the characters in the play into sadness and nostalgia.

Not far away, the eldest brother next door is sitting on the sofa playing chess with his fatherAfter his mother's dream, Xiang Kun began to sort out his judgment on this new special association.

So far, three objects, eight arm and eight eye wood carvings and two Chinese characters have been connected, and five dream images have been perceived.

It can be seen that when someone holds these items, Xiang Kun can vaguely sense the emotion of the holder, but he can not determine the location, nor can he see any pictures or get sensory information.

When the people near the objects fall into sleep, the emotions that Xiang Kun "gives" on the objects will have assimilation effect on people, so that people in sleep will have the same emotions, and then dreams will appear. Xiang Kun can "see" the dreams through perception.

He speculates that when people are awake, the emotional influence of these items with special connections is not enough, so they can not assimilate the emotions of the holders, so they can only feed back the emotions of the holders to Xiang Kun. Only when people fall asleep can they have enough influence to make people dream and get feedback from dreams.

Compared with the previous "spiritual shock", "emotional assimilation" and "projection all present", the impact of these items on emotion can only be said to be weak.

These objects are like routers. Through them, Xiang Kun can get a small amount of data (emotions) fed back by the target "host", and can send fixed instructions to the target "host" through the "program" (emotion placed in the production) preset on the router.

However, when the target is awake in the daytime, there is a strong "firewall", and the command cannot affect the target "host". Only at night, can you enter the "host" to have an impact, but although the instructions are the same, the program results (dreams) running on different "hosts" are different.

The whole dream is like a form. Whether this form is a gym member registration form or a resume form for job hunting is determined by the mood that produces the dream. As for the specific content to be filled in the form, it is determined by the actual situation of each person.

The eight arms and eight eyes wood carving and the old man next door are just like the words and titles on the table.

Xiang Kun suddenly remembered Guo Tian's ability to "establish his own fear projection" after he looked at him. Before that, he had never understood that his "projection of all projections" generated by his "emotional assimilation" should be more difficult and could be easily done. Why could "establishing self fear projection" not be achieved.

Now, it's not that he doesn't "transmit" enough data after looking at it, but that he "transmits" too much.

Guo Tianxiang's "building self fear projection" should only give the target emotional instructions of "fear". How to play next is all about the goal's self imagination.

It's like Guo Tianxiang just assigned the title of the composition, and then the students began to write the composition according to their knowledge and imagination. After writing, they went to the stage and read it out with both voice and emotion.

Xiang Kun's "projection all shows" is to directly take a written composition in front of the students: "don't BB, this is what you wrote, go read it!"

Guo Tianxiang's emotional influence on "building his own fear projection" is obviously different from Xiang Kun's "emotional assimilation". The former is to set up a composition topic, while the latter shows a model essay to the whole class. The overall writing style is still limited within the framework of the model essay.

Even if Xiang Kun was aware of this, he couldn't find a way to exert the same emotion as Guo Tianxiang.

But now, the way that this kind of special connection objects affect other people's dream emotions is very similar to Guo Tianxiang's "building your own fear projection"!

As long as you know that the function and effect are similar, the next thing to consider is how to extract, improve and apply this function.

What's more, Xiang Kun has a further idea: can we "collect" the emotions that are fed back through the items that establish special connections and apply them to other targets?

For example, Xiang Kun used to imagine using "emotional assimilation" to influence the people around him and have a strong appetite for the same dish. However, the problem is that it is very difficult for him to have such a strong appetite for ordinary food, and it is difficult to grasp the opportunity to enter the emotion, so he can only give up.

But if he has a way to "collect" other people's emotions, and then "cast" them in some other way, and can control the type of effect and the time of effect, is it not possible to do a lot of things that "emotional assimilation" can't do?

After thinking about it, Xiang Kun decided to temporarily call this ability to endow objects with special connections by brewing emotions in the process of construction and creation as "emotional injection".

Until more than nine o'clock the next morning, Xiang Kun could not feel any emotion or get any dream feedback through the word sent to Xia libing, so he could only give up.

He decided not to react with the word "teacher's list" at home tonight, but to call tomorrow to see if his parents had dreamt, so as to judge whether the dream was triggered by his induction or whether he had any induction or not.

If it always happens, although that kind of "Miss" emotional dream should not bring any negative impact, it is not good to dream all the time. He will find an excuse to ask his mother to send the "teacher list".

At about 10:00, just as he was about to contact Tang Baona and make an appointment to meet her grandfather, he used "Canary wood carving" to replace the eight arm and eight eye wood carving, and by the way, sidetracked who the miserable and terrible dream of last night belonged to, but Tang Baona first sent a photo on wechat, which was his eight arm and eight eye woodcarving.

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