Chapter 526： : Elemental Split Arrow Tower, Level 5 City Lord’s Mansion Upgrade Certificate [Anti-Theft]...

【Anti-theft chapter, refresh at point】

【Support genuine, start from me, touch it】

From a global perspective, there are very few people who have started to learn command at the age of 14, and young people who have won two international command awards at the age of 21 are even rarer.

"Post-00" Jinyu Mine not only won the second place in the two international conductor competitions of Khachaturian and OnlyStage, but also initiated and established a neo-classical chamber orchestra composed entirely of post-00s at the hardest time of the epidemic last year.

From the Shanghai Summer Music Festival in July to the Beijing International Music Festival in October, this young neo-classical chamber orchestra turned out to be an ambition and courage of the "post-00s" from the selection of songs. To commemorate the 50th anniversary of Stravinsky's death, they brought Stravinsky's "Four Preludes and Fugues in Equal Temperance" to the trendiest Sanlitun Red Museum, which made its debut in China.

"This is Stravinsky's last work in his later years. The last pencil he used in his life was drawn on the sheet music of this work." Jin Yukuang was very proud. They were not a professional orchestra, but they dared to first Act this work. In fact, this young orchestra has been looking for and challenging the "hardest" since its birth. In the first performance of the orchestra’s establishment in January last year, Stravinsky’s "E flat major concerto "Dumbarton Oaks"" and Copland "Appalachian Spring" were performed in two works. Known as the "Large Chamber Orchestra Touchstone".

Neoclassical Chamber Orchestra performance scene/Beijing International Music Festival

Just because they selected two representative works of the Neoclassical period, they simply named the orchestra "Neoclassical".

This "new" includes not only the research and exploration of neoclassical music, but also a new perspective for the younger generation to view classical music. Jin Yukuang said, "New represents the current era. We play classical music, but classical music is not pretentious and old-fashioned, but is always growing and innovating."

This 1.88-meter tall boy has a mature understanding of classical music beyond his age. He believes that, compared to Mozart, Haydn is a classical era a century and a half ago, and Mozart is innovation. The conductor Jekiyev used a toothpick to direct the Hundred Orchestra, and Wang Yujia brought the iPad to the concert. These disruptive music forms are all innovations. What the neoclassical chamber orchestra wants to open is the experience of a new era belonging to the "post-00s".

Study classics together, play room escape together

"Breaking up." Speaking of the Neoclassical Chamber Orchestra in Sanlitun, Zou Shuang, the artistic director of the Beijing International Music Festival, said that this is like the concert she has been waiting for, young and full of tension, with an atmosphere on and off stage. All are active.

They really "played" classical music. "Enjoying on stage" is the experience of every member of the orchestra.

"Our pure motivation for being an orchestra is to play music with these friends who grew up together." Jin Yukuang said that the current 15 core members of the orchestra are all studying at the Shanghai Conservatory of Music. Many of them are Walked all the way from Shangyin Fuxiao.

For this generation of "post-00s", making music does not have so many thoughts, burdens and limitations. For them, forming an orchestra is just a group of like-minded friends discussing and interpreting music together. One of their goals is to discover unpopular works that have not been performed in China. They enjoy the process of playing more and enjoy the fun of researching and challenging new songs together.

This year, the "post-00" Jinyu Mine won the second place in the two international conductor competitions of Khachaturian and OnlyStage in succession. Photo/Beijing International Music Festival

Zou Shuang accidentally broke into the rehearsal site of the neo-classical chamber orchestra, "just like a teacher suddenly going to round the room." She was in the hallway and heard the laughter, and when she approached, she suddenly became quiet again. Looking through the cracks in the door, it seemed like nothing happened inside, everyone was rehearsing seriously.

Within this young orchestra, there is no strict hierarchical distribution of professional orchestras. The conductor and the members of the orchestra are equal, and everyone's ideas are respected and realized. They can decide what repertoire to perform from their respective standpoints, discuss a detail in the rehearsal arena, and search for various materials on the Internet to study music in depth.

When they were on stage, they were a rigorous classical chamber orchestra. When they stepped off the stage and left the rehearsal hall, they would make an appointment to eat supper and play room escape together.

Jinyu Mine I remember a foreign conductor ridiculed, if you go to conduct a world-famous veteran symphony orchestra, it is like driving an old Lincoln car, driving the steering wheel twice, the reaction is also very slow.

He likened the neo-classical chamber orchestra to the small-sized sports car Mazda MX, "We will be more agile and turn faster, but it also means that it is easy to run off." But whether it runs off the road or crashes, it is what he thinks must be passed. road.

The youngest conductor

"I haven't really studied command abroad in a real sense." Jin Yukuang said, winning the silver medal in the Khachaturian International Conducting Competition and becoming the youngest winner of this event was like an accident to him. .

recalled the state in front of the final stage in June this year. He did not have a trace of tension at all, but was confident and enjoyable. Of course, he also remembers his nervousness when he first came on stage at the age of 16. When the Zurich Conservatory of Music Symphony Orchestra visited Shanghai, Jinyu Mine was recommended by teacher Zhao Xiaoou as a second-year student of the Shanghai Conservatory of Music. The second movement, "The legs are shaking with tension".

Jinyu mine piano from elementary school, but I haven't found fun. It was not until I joined the chorus that I realized that music can be played by a group of people.

Like most piano boys, he learns the piano more to fulfill his parents' wishes. After being admitted to the High School Attached to the Shanghai Conservatory of Music, my enthusiasm for music was suddenly aroused. He started practicing piano at 6 o'clock every day, and didn't go back to his dormitory until 10 o'clock in the evening, which became the norm during his middle school period.

They were born in the Internet age, and a mobile phone can connect the world. If you want to listen to the Berlin Philharmonic Orchestra's concert, you can do it online without going to the local area. If you want to read the information of which conductor or composer, whether in video or text, there are extremely detailed research materials in both Chinese and English.

The Internet has given these young people a broader vision and opportunities than their predecessors. For Jinyu Mine, being born in China, where the classical music market is unprecedentedly prosperous, is also an opportunity of the golden age. For these young people, the Shanghai Symphony Orchestra's performance has become a place for offline gatherings. Talking and analyzing music together is a part of daily life.

Because the teacher Zhang Guoyong is the music director of the domestic symphony orchestra, he was asked to conduct professional orchestras such as the Shenzhen Symphony Orchestra and the Guiyang Symphony Orchestra when he was a student. This is an almost impossible opportunity for conductors growing up abroad.

After the first performance of the Neoclassical Chamber Orchestra, Jin Yukuang made a simple orchestra introduction manual and rushed directly to the Shanghai Symphony Orchestra to introduce himself to the artistic director Yu Long. After that, this "post-00s" orchestra made frequent appearances at Shanghai and Beijing music festivals.

Long Yu once said that they received fire from Li Delun and other older generation musicians. Now, they want to pass the fire to younger faces. "We have changed from heirs to passers and paveers, just like our predecessors. In the same way, only by paving the way and building bridges for young people, and continuing to circulate and pass on in this way, can China's music industry flourish."

In 1959, the conductor Sir Neville Marina assembled a group of London musicians to form the Saint Martin Chamber Orchestra. These outstanding performers who love music have given classical music a refreshing look and become the world's top chamber orchestra, leaving more than 500 classic records for the world.

Gathering because of love is also the original intention of this group of young people of the Z generation. In July of this year, they joined the "Blue Bird Project 2.0" of the Shanghai Symphony Orchestra and began to plan their own performance season. From creativity, planning, preparation to co-artists, all led by the orchestra itself, the current performance plan has been scheduled until July next year.

"The First Incense" hits the street, not the pot of Ma Sichun and Peng Yuyan

愉刺儿11 hours ago Follow

It is not only actors who blow out the "first incense".

This is not the first time Xu Anhua has photographed Zhang Ailing.

"Love in the Fallen City" in 1984, "Half Life" in 1997, and the drama version of "Golden Lock" in 2009. After 12 years, she directed Zhang Ailing's novel "The First Incense" again.

Throughout the Chinese film industry, Xu Anhua is a well-known Zhang fan and the director who has filmed the most adaptations of Zhang Ailing's novels.

In the autobiography "Xu Anhua Says Xu Anhua", she said: "I can't explain why Zhang Ailing is so popular with our generation of directors. This is a cultural phenomenon. If you find a work particularly attractive, you should shoot it. , Because it must be your own opinion that resonates with the work. Taking pictures of him is just taking pictures of your own experience, which is very worthwhile."

Unfortunately, as of October 25, the Douban score of "First Burning Incense" was only 5.6. As far as Xu Anhua’s own work is concerned, this is the one with the lowest rating of her film.

The film was announced in 2019, from casting to finishing, and then to the release of the first trailer in September 2020, "First Incense" has been controversial.

Among them, casting is the most controversial. Those who have read the original may feel awkward about the "Ge Weilong" with a wide frame and the sturdy "Qiao Qiqiao" (hereinafter referred to as "Qiao Qi").

Some netizens joked that they were Luo Tuo Xiangzi and Huniu when Peng Yuyan and Ma Sichun acted, one with dark skin and one with round features. In the trailer, the scene of the two sitting on a tree trunk talking, was compared by netizens to “the fitness coach is selling fitness cards to female college students”, not the “pale lips” Qiao Qiqiao and the “puff face” Ge Weilong.

Source: Douban Movie

However, the "failure" of this movie cannot be crudely defined simply by the reason of "casting error".

Should an actor carry the biggest pot?

Xu Anhua said in an interview with "Yi Yi" that Ma Sichun was chosen because of her performance in "July and Ansheng".

"She was stunned to see a boy, (that's) the feeling of true love." Similar to Lin Qiyue who fell in love, Ge Weilong also fell in love with a man in "First Incense". Playboy Joe Qiqiao.

In the original work, Ge Weilong is a very complicated person, the arc of the character is too tortuous, and the character wanders between sober and confused.

On the one hand, facing the Chinese clothes in the closet, she understands "what's the difference between this and Changsan Tangzi". On the other hand, she was intoxicated with sensuality and waltz in beautiful clothes.

Ge Weilong has her arrogance, wants too much, and still can't see her aunt's way of courtship. In love, her wishful thinking is too contemptuous.

If you want a complete presentation, the film needs to express too much information. Even if the film is 144 minutes long, the final interpretation is only some important points. For example, when Wei Long came to her aunt's house for the first time, she gradually adapted to the upper-class life and became the social flower of celebrities. In fact, it was not explained in the film, and only replaced by "a year later."

The film begins with the transformation of Ge Weilong's personality, presenting her relationship with Qiao Qi, and her role change from accused to manipulator in love. But at the end of the story, she couldn't even ask Qiao Qi to tell a lie.

Source: Sina Weibo @电影第一炉香官微

And the process of falling in love with Qiao Qi took several important scenes to advance.

It was the first time I met Qiao Qi. The two sat side by side on a tree trunk. Qiao Qi read a Portuguese love poem to Weilong. One was when Weilong inquired about Qiao Qi's future thoughts. Qiao Qi said, "I plan not to marry forever, but I can promise you happiness." She leaned in Qiao Qi's arms and trembled all over, saying that she must be crazy. .

In another scene, Wei Long and Qiao Qi had a tryst. The camera first showed Qiao Qi lying on an empty bed, thinking that Wei Long was not there, and turned around and found that she was curled up in the corner, staring at him blankly.

The film advances to a climax. Weilong is determined to make money to raise Qiao Qi. Even if the two sides are not equal in their love, they must take a leap without hesitation.

If you talk about the most prominent performance of Ma Sichun in the movie, she thoroughly recognizes reality, loves and hates Qiao Qi, and embraces him before going to Shanghai. In the picture, the corners of her mouth began to smile, and then became sad. Weilong's determination and sorrow, in exchange for Qiao Qi's "moment of love" with his sincere heart, Ma Sichun gave a good interpretation.

Source: Sina Weibo @电影第一炉香官微

playing Ge Weilong is certainly a challenge for Ma Sichun, not only facing the general audience, but also the readers of Zhang Ailing's novels. Xu Anhua said, "In fact, it's unfortunate. I don't care about it myself, but this time Ma Sichun was so miserable because she was scolded for two years."

In December 2018, Ma Sichun was overwhelmed after reading "The First Incense" on Weibo. The blogger @衣锦夜行's Yan Gongzi satirically: "You can't say that Ma Sichun feels completely wrong after reading it, although there are 1,000 readers and 1,000 readers. Hamlet, but some people think of Hamlet as Harry Potter."

During the filming, Ma Sichun couldn't sleep because of public opinion, but he had to continue acting. Indeed, in terms of performance, Ma Sichun's role is not deep enough, and his acting skills have been criticized. But she shouldn't bear all the attacks and accusations, let alone some criticisms just follow the trend for no reason, and even carry malicious body humiliation.

Peng Yuyan received relatively few attacks. When Zhou Jijie said, "Mixed-bloods are a little gloomy, and little girlish." The next second Peng Yuyan walked out with champagne, dark skin and tendons, the theater let out a roar of laughter.

It is true that Peng Yuyan can't satisfy Zhang Ailing's pathological character, "The lips are pale, like plaster." But look carefully, his facial features are very deep, his nose is slightly pointed, and he has a hybrid appearance similar to that of a foreigner. And Peng Yuyan did perform Qiao Qiqiao, a romantic image who knows he can't get ahead and concentrates on being a dude.

Source: Sina Weibo @电影第一炉香官微

Of course, Mrs. Liang played by Feihong Yu is the most uncontroversial portrayal in this drama. This image represents the hypocritical side of Hong Kong's high-end society before the war.

Everyone's ambitions at the party interlaced and spoke beautiful scenes and words, sinking was packaged as decent, and their depravity seemed justified. Xu Anhua is good at photographing women, especially middle-aged women. His once masterpiece "Forty Women" is the best example. Therefore, Xu Anhua is more comfortable in handling the role of Mrs. Liang.

The film took more time to paint the image of Mrs. Liang. For example, when she wakes up at midnight, Mrs. Liang lit a cigarette, leaned against the wall, and felt lonely when facing the empty room. For example, recalling the funeral at the death of her husband, Mrs. Liang wore high heels in the funeral queue. The heels fell off. She simply took off her shoes and turned around and walked back. Another scene was watching Weilong get married. She remembered that when she walked in, she knelt down to serve tea to the former wife.

It is exactly this. The image of Mrs. Liang has broken through people's perception of her in the original work. UU reading contrasts with the character interpretation of Ge Weilong. Ge Weilong's story in the movie is almost the same as the novel. Even though the story line after marriage has been renewed, there is no more specific enrichment. This may be the potential reason for the failure of Ge Weilong's character creation.

is indeed the most correct method, but it is not the only one. As an authorial film, Director Xu Anhua should convince the audience that Qiao Qiqiao can be Peng Yuyan and Ge Weilong can also be Ma Sichun.

does not fit the original work perfectly, and may not be the "pot" of the actor.

"Waterloo" of 　　 Dream Team

Director Xu Anhua, screenwriter Wang Anyi, photographer Du Kefeng, soundtrack Sakamoto Ryuichi... The production team of the first incense is a dream.

Xu Anhua said in the "First Burning Incense Special", "They have all won Oscars. They are all for the specific needs of each play, rather than thinking about their previous achievements, so they can do so well."

However, the super behind-the-scenes team did not guarantee the box office of the movie. "The First Incense" was released for four days, and the box office was only more than 24 million. "Dune", which was released on the same day, had already surpassed 100 million in box office.

At the beginning, people are good in nature, and they don’t teach cats not to jump.

There is a bright moon in front of the bed, suspected to be frost on the ground, raise your head to look at the moon, bow your head to think of hometown

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