~： season finale

A giant thunder flashed in the sky, and the protagonist died.

End of the book.

(How about this finale? Isn’t it simple?

Water is water, water is a hammer, some pits do not respond, some rewards are not exchanged and you have to ask, and foreshadowing is temporarily useless, you also have to ask.

Don’t think I have so much space for writing?

Concentrate on a few chapters to deal with and talk about water.

The rewards of the design and redemption should be echoed with the development and foreshadowing of the following text and the overall balance, okay?

If I don't deal with it, go directly to Odor Village to start the next plot, or simply deal with all the exchanges, then the exchange system will lack value and expectation.

Originally, I didn't intend to recruit the people, and many readers said why not exchange fighters.

Now you have also seen that the exchange system must be comprehensive, and there must be multiple, multiple systems to choose from.

Otherwise, this exchange will not be enough as a summary of the end of the entire challenge.

I am also puzzled. Sometimes I want to save space and put some content later. Unified processing is the most space-saving.

There are a lot of people urging me, why not finish writing on the spot and check all the props on the spot.

I had a fight, and suddenly stopped fighting, started to check the props?

I will focus on the space and write uniformly, and I have to talk about water, and writing prop settings and arrangements is 10,000 times more difficult than writing the plot!

When to give the protagonist what kind of things, how much the protagonist paid, and everything to be arranged.

The 900,000 words in the next door have already written that the protagonist has waved his hand and turned into a thousand-meter dragon claw.

This book will speed up the progress of the book in 30 days. The overall time advancement is different. The length of the book will be around 4 million.

Smart readers should see that the dimensional lines are left in the book, and if you dig deeper, you can write an extra one or two million, depending on the specific situation.

The first 30 days are slow. When you lay the foundation, don’t you think about growing taller and just want to fly?

No matter what you do, the initial period of the rhythm is slow, and multi-event squeeze, in order to explode and grow rapidly after a period of time.

All kinds of misunderstandings, guesses, and brain supplements followed one after another.

All said don't guess the main thread with the author.

If the author’s writing is similar to others, my book would have long been fascinated by everyone. There are actually a lot of details in the book, foreshadowing before and after, including now, there are foreshadowing in more than a dozen chapters that have not been used. .

The arrangement of each prop has a follow-up effect, UU reading www. uukanshu.com basically won't have a bye, because I have a lot of notes, and the logic lines can echo.

A complete book of Lords, there is a lot to write in the early stage of multi-event mixing, otherwise it depends on the reader's brain to make up it?

I have more than one author vest, I have author numbers from v2 to v4. To tell the truth, writing this kind of book is much more difficult than writing a fairy tale.

I basically can't touch the poison in writing books, and I can't get results when I write anything, not to mention I am water.

An average of twelve thousand a day, according to the most standard average speed of 2,000 per hour, it would have to work for 6 hours without any movement.

It’s really unnecessary. If you don’t like to read, you can read other books, even if you read pirated editions. My biggest goal is to finish this book, at least to give a complete logical story ending.

In this age of unfinished, broken, weekly, and even monthly, I write books with great care and are said to be water.

Yes, I want to read the "Three Hundred Tang Poems" concisely.